Whilst there’s no series of Doctor Who this year, Chris Chibnall and his team are busy working on a fantastic somophore season for Jodie Whittaker and the Thirteenth Doctor for 2020. Whilst her first season wasn’t perfect (I’m looking at you Tsuranga Conundrum) it was a great series overall and the viewing figures have spoken- Doctor Who is a household name again and is dominating the pop culture discussion once again. It is a great time to be a Doctor Who fan, as for the first time in years the average person on the street might know what you’re talking about and the quality of stories have reflected the level of attention the series is now getting (not you Pting). Chibnall’s all-new writing team were great and actually better than the man himself- I wouldn’t mind any of them returning, which leads me to this post. Here are twelve writers I would love to see write for Series 12 and make the next season as good as possible-
Would I really say no to the writer of my favourite Doctor Who story returning? Toby Whithouse is a Who veteran, first contributing the amazing Series 2 story School Reunion which still holds up as the strongest story from that series. His main contributions were to the Eleventh Doctor era, where his vision of the Doctor as a dark, mythical figure cropped up first in the underrated Vampires of Venice and then the magnum opus of the entire show, The God Complex, which masterfully deconstructed then reconstructed who the Doctor is. A Town Called Mercy and the Fisher King two parter are both great too, and whilst Lie of the Land was incredibly… not good I can’t really blame that entirely on him due to the difficult behind the scenes circumstances surrounding that arc. In short, any season without Whithouse is poorer off without him and his idea of the Doctor is one that I support 100%. I would have preferably wanted him as showrunner but if that’s not the case, another story would do just fine. Whithouse is a master of genre storytelling and is one of the finest writers this show has had and Lie of the Land is such a poor way to end a fantastic collection of stories.
Do you know why I love Doctor Who? The ideas. Over 55 years this show has always striven to be the most imaginative, daring and bold television show on the planet. Stories that focus entirely on ideas are among my favourites- Tom Baker’s Warrior’s Gate is a wonderful piece of science fiction, Kinda and Enlightenment are my two favourite Peter Davison stories, The God Complex dissects the Doctor’s character by forcing him to battle the very idea of narrative and Ghost Light, the infamously complex and divisive story from the original run’s final season, is one of my all time favourite stories in anything ever. Whilst Series 11 has so far been strong on character and stories, in terms of pure ideas it’s been a bit behind. Until tonight. It Takes You Away (I assume the title refers to how the episode blows your mind) is not only the best episode of the series by a long shot (and remember, I consider both Rosa and Demons of the Punjab to be masterpieces and like everything else barring Tsuranga Conundrum) but one of the most original, bonkers, crazy, delightful, imaginative, complex and heartfelt stories the show has done in a looooong time, perhaps ever. Ed Hime, take a bow.
Whoops, I missed a week. Events such as college, college and college prevented me from writing a Kerblam! review but in short: loved it, most fun episode since The Crimson Horror, bring Twirly back as a companion, Pete McTighe needs to write more episodes and it should have been episode 5. Now onto this week’s episode, The Witchfinders, which I’ve been anticipating for a while. I love historical episodes and the witch trials are a fascinating period of English history. With a female Doctor this premise promised great things and the episode even secured probably the biggest guest star since John Hurt with Alan Cumming (known to nerds like me as Nightcrawler from X-Men 2) as King James I & VI (it’s complicated). Fortunately this episode lived up to the hype by being a return to traditional Who- monsters, history and horror combining in a gloriously entertaining episode with one amazing guest role. Chris Chibnall may be an excellent showrunner, but he should really leave the majority of the writing to guest writers. Joy Wilkinson gets Who.
Question- what did we do to deserve this series? Seriously, we were lucky to have one era-defining historical story but to have two? The conspiracy theorist thinks Chibnall made last week deliberately “meh” in order to make us savour something with substance, and something with substance we got. Demons of the Punjab is a wonderful episode that encapsulates everything brilliant about this show and deals with a difficult subject matter with skill and precision. I dare say it’s even better than Rosa, but I’ll need to rewatch it. Rather than stick an alien invasion plot in the middle of a controversial period of history, Vinay Patel takes a complex, multi layered look at war, remembrance and religion.
The Peter Davison story The Awakening is neither good nor bad. It exists as a story of Doctor Who. The same can be said for this week’s episode, The Tsuranga Conundrum. For the first time since I don’t even know, we have an episode that really gives me no real emotion either way. Was it an exemplary piece of television? No. Was it a disaster? No. It simply was. It’s Schrodinger’s episode.
On Netflix there’s about 100 various b-movies, mainly from the 80’s that are incredibly obscure and cheesy. I mention this because this week’s Doctor Who was essentially a b-movie with a budget. After three quite serious weeks we had a chance to see this new team loosen up and engage with a sterotypical monster of the week plot befitting of the Pertwee era. In a week that was quite intense for me having to hand in my English coursework (hence the late review), a fun nonsensical Doctor Who episode was a great way to start the week and a fun, nonsensical episode we got.
Going into yesterday’s episode, I will admit I was concerned. How was Chris Chibnall and Malorie Blackman going to pull this off? The show had done touchy topics and addressed the past before, but not events that happened a mere decade before the show started in 1963 concerning events that still have an impact today. There was every chance that this episode could have gone wrong, but fortunately Rosa ended up being a game changer. Three episodes into the Chibnall era and we have been given one of the finest historical stories of the entire show, one that effortlessly captures the essence of the show and brilliantly handles its difficult subject matter with skill and care.
After months and months of waiting, we have finally reached The Thirteenth Doctor. Yesterday saw the debut episode of Jodie Whittaker’s era of Doctor Who, and it was worth the wait. Whilst far from being the greatest episode ever, The Woman Who Fell to Earth is a very enjoyable, refreshing start to what I hope is a solid season of Doctor Who. This episode channelled the best of the Tennant/Smith years and had a similar vibe to last year’s The Pilot, except with added freshness and darkness.
In four days time, the world will be introduced to Jodie Whittaker as the Thirteenth Doctor. I cannot wait, and I eagerly anticipate this new era. Following an era that- Series 10 and the beauty that it is aside- I couldn’t enjoy as much as I usually do, to have a fresh new start with a new Doctor, new companions and a new showrunner is simply glorious. The Woman Who Fell to Earth is the first episode for the Thirteenth Doctor, and it’s important to have a good first impression. Whilst I have faith that Chris Chibnall will give us a great first episode (although I am far more excited for the more intriguing sounding Episode 2), there has unfortunately been precedent in the past for less than stellar first stories. Let’s look back at the past twelve times we were introduced to a Doctor and see how they hold up in celebration of this upcoming era-