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A reduxed review of the Girl Who Waited

Hello, my old nemesis. For anyone who doesn’t know, this one episode of Doctor Who has bothered me since it first aired. As a kid I found it boring, then when I tried watching it properly I found it absolutely dreadful. It was contrived, boring and lazy and proudly became my least favourite episode. At least that’s what I thought when I was younger. Having not seen the episode in a few years, I decided to watch it again, with the assumption that it was a good episode I was too stupid to understand. I must thank the Twelfth Doctor era first of all for giving me several new choices for worst episode ever, making me view every Eleventh Doctor episode I didn’t like (except the stupid tree episode) in a much better light, including this one. Having now watched The Girl Who Waited again, my final thoughts are…

Yeah, it’s pretty good.

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50 Greatest New Series scenes- Part One

Series 11 is coming. A new Doctor, a new era. Now is the time to look back on the brilliance of the past 13 years, which has encompassed four Doctors and ten seasons. Whilst I could discuss the best episodes, that would be harder than this list, so let’s look at the best moments of the revived show. With over a hundred episodes to choose from, picking 50 was hard. I’ve decided to limit the list to one moment per story, and to leave the quality of the episode aside to focus on the moment in question. There’s too much to go through, so I’ve split the list up-

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5 hopes for Chris Chibnall’s era

It’s been over a month since Steven Moffat ended his tenure as showrunner of Doctor Who. Whilst I would do a retrospective, I feel like I’ve discussed his era too much in the past. For now, let’s look to the future and what Chris Chibnall has in store for Whovians. Outside of casting we don’t know too much about his era, which is great. I do have faith in him to deliver a strong run but here’s a list of things I hope he follows through on. I did a list before the Series 9 finale about wishes for Series 10, which were mostly fulfilled (two new interesting companions, great returning monsters and cool new ones and a better balance of story and character). My other two weren’t really followed through on (a consistent costume and more alien planets) so they are on this list as honourable mentions. I do like the Thirteenth Doctor’s costume so far, but I need to see it in action and let it sink in.

So, let’s dive into what I would like to see in Chris Chibnall’s era-

  • A new, original arc

I cannot stress this enough, but a series without the Daleks, Cybermen or the Master would be brilliant. I don’t think the latter two are appearing but the Daleks almost certainly will, which would be fine as long as they aren’t the story arc.

Remember (ba-dum) how effective the Silence were? We had a brand new, original threat for basically two seasons. You could argue the Series 6 arc teetered out of control and that the Silence were wasted but the fact remains that Steven Moffat created a fascinating new villain along with a highly engaging arc. I hope Chris Chibnall does the same and creates new threats, supporting characters, worlds and arcs.

Without trying to sound like I’m bias, the RTD era really had this under control. We had Ood and Weeping Angels, Torchwood and Sarah Jane, three trips to New Earth and well thought out, interesting arcs. Moffat had this in a way with Matt Smith (Silence and Angels, River and the Paternoster Gang and the Silence Will Fall arc) but Peter Capaldi’s run suffered from a lack of originality. Am I a good man? That was basically Eleven’s arc in Series 6. The companion and the Doctor are in a dangerous partnership? Explored in the God Complex. It’s why I loved Series 10, as rehabilitating the Master had never been done before. But there can still be more.

Have a cosmic war. Have a chase across time and space by bounty hunters. Have the Great Old Ones return, ready to wreck havoc across the universe. Have Rassilon plot an elaborate revenge against the Doctor. I would love Chris Chibnall to just go nuts with his story arcs and ideas. Don’t just rely on old enemies or retread old ideas, do something truly captivating and original. The whole universe can be explored, why are the arcs so Earth focused and why is everything something from the Doctor’s past? Move away from sequels to Classic Who or yet more Time War angst and do something new.

  • Good villains

Without looking them up, how many Twelfth Doctor villains can you name? As in proper, compelling, original villains (Missy doesn’t count). My guess is that you can’t name many, as most of them weren’t really villains and the ones that were weren’t very good. The Monks were promising but ended up being just the Silence, and there really isn’t that much from Twelve’s rogue’s gallery. There’s the Boneless yes, but what else?

William Hartnell battled cosmic entities and rogue Time Lords. Tom Baker encountered the last of the Osrians, the Guardians of Time and more. Sylvester McCoy fought Fenric, a being from beyond comprehension and David Tennant battled the Devil. My point is that Peter Capaldi’s rogues were a bit less impressive. Oh no, lion people. Oh no, sleep dust monsters. Watch out for the weird robot owl thing and you better hide from the terrifying King Hydroflax!

He looks cool, but try thinking of a single line the Fisher King said. And I like this story.

My wish for Thirteen is that she gets some amazing villains. They don’t have to be sympathetic or misunderstood, you can just make them evil. Is there a single redeeming quality about the Mara, or the Family of Blood? No, they’re just evil. It would help if they had some depth but sometimes they can be just evil. As long as they’re interesting, the audience will care. It says a lot when the best villain last series was a CGI wolf with tentacles.

  • Have fun

Let’s not beat around the bush here, Doctor Who is at its best when it’s dark. There’s a reason Phillip Hinchfliffe’s era is beloved. However, it’s important to have fun and embrace the camp. Having the Doctor be light hearted, caring and zany is hugely important, and unfortunately Twelve was none of that, at first anyway. The show turned utterly serious and dour with plot points like the Moon being an egg and flying Cybermen being treated incredibly seriously without any acknowledgement to the stupidness of the concepts (and the show itself is stupid. It’s about a shape shifting alien who flies in a box through time and space. But that’s what makes it great). Tom Baker had dark stories, but he was still a buffon who tripped over his scarf. Jon Pertwee was a snarky know-it-all who loved driving and David Tennant had some of the most mature storylines in the show’s history,  yet he still randomly referenced pop culture, had a positive attitude and made jokes, all whilst managing to maintain the darkness of the storylines.

Sometimes it’s good to go dark. Inferno, Waters of Mars, Curse of Fenric, The Doctor Falls- all very dark. But don’t have the basic outlook of the show be dark. Why did I like Robot of Sherwood and The Return of Doctor Mysterio? Because they were fun. Why did the fanbase dislike them? They were different from the typical Twelfth Doctor episode. Twelve was out of character for those as he was acting the way any other Doctor would act in those situations- having fun. My advice for Chris Chibnall is- lighten it up when it’s appropriate. When there are dark storylines, have them be dark. When there are light hearted or goofy scenarios, have fun. This is why having a lighter, nicer Doctor helps.

  • Take risks and don’t spoil things early

I’m going to go on a slight tangent and bring up The Last Jedi. Nothing about that film is what you’d expect. Luke Skywalker is a jaded old man and Snoke, the supposed big bad of the new trilogy, is killed off. Think about how risky that is, and how refreshing it was. Iron Man 3 does something similar with the Mandarin, turning the character from a generic bad guy to a metaphor about modern media and manipulation.

My point is, Chibnall really needs to think outside the box. Don’t give the audience what they’re expecting and subvert expectations. Of course it was going to be Missy in the Vault. But what if it wasn’t? Of course the Doctor wasn’t really working for the Monks. But what if he was? The funny thing about that last example is that Skulduggery Pleasant did a similar plot point in Resurrection, released the same week as Lie of the Land (having the main character turn evil) but actually stuck to it. That’s a risk.

The show has taken risks in the past, such as Heaven Sent, but I want more. Truly challenge the audience and make them think about the show they’re watching. What if the mysterious box in the TARDIS isn’t the arc, but the companion we’ve been following throughout the series has been working for the bad guys the whole time? What if the Earth is invaded by aliens in the most painfully generic plot imaginable, only for the Doctor to realise that they’re not on Earth and are actually on a game show? That’s the kind of risk I’m talking about. Extremis is a great example of a risk that worked.

There have been episodes in the Capaldi era that took risks, but the show as a whole needs to do more risky things, especially in regards to the story arcs. Do something that will shatter expectations and make the audience react. Don’t fear backlash, just go for it. Chibnall also needs to make sure the risks pay off- Series 8 had a dark and depressed Doctor but it didn’t really work as nothing was being subverted- he was just angry and miserable. How about a pure historical? Or a non-linear episode? Or (dare I say it?) a musical episode? As long as they’re good then the fans won’t mind.

How about a pure historical musical?

Never mind.

Also, don’t spoil things. How much more awesome would John Simm’s reveal in World Enough and Time have been if it hadn’t been spoilt? The Internet would have gone nuts. I know it’s harder to keep secrets know but the BBC need to have some degree of control over spoilers.

  • A consistent time slot

What time is Doctor Who on THIS WEEK?

This is less about the show itself and more about scheduling. Back in the day, David Tennant’s Doctor would be on TV at around 7:00. OK, so I stayed up slightly later on Saturday. But with Peter Capaldi, I didn’t know what time the show was on as it was never consistent. Sometimes it was 7, sometimes it was 8:35. You’d think with a Spring start Series 10 would not fall victim to this, but as early as Smile the schedule was being pushed around for… football. I respect that people like watching football, but if Doctor Who is on at a certain time, I want it to be on at that time and not have to wait to see if the episode will be pushed back a week just because people can’t kick a ball in time. Seriously, is there not a separate channel for sports? That would be the only hiccup you’d think, but no, it happened again for Pyramid at the End of the World and then the show was aired even earlier to accommodate a new BBC show. Hey Beeb, maybe it’s not a good idea to start a new show when your flagship sci-fi show is currently airing.

Little things like it airing five minutes before or later than last week really bug me. Is it so hard to just have a slot for Doctor Who? It’s managed with the other shows. Even Peter Capaldi has spoken out about this, and it’s believe to be one of the reasons he left, despite initially stating he was going to do more than three seasons. With Series 11 not airing until autumn, I’m worried that the same thing will happen with Series 8 and 9- instead of putting the show in that magical slot known as “before Strictly Come Dancing”, the Beeb are just going to put it afterwards and air it depending on how long Strictly lasts. It got even worse in Series 9 when the BBC chose not to air the show before the Rugby World Cup, rather letting the show run through it. Great move guys, maybe this is why the viewing figures have tanked.

If I was managing the BBC, I would air the show at 6:00-6:50 every Saturday. This way, the whole family can eat dinner whilst watching (which was the point of airing the show at around that time anyway) and there won’t be any conflicts. It’ll be autumn so it’ll be dark so any scary episodes will be appropriate and the show will not air too early or too late. I really hope this is sorted out and I hope Chris Chibnall actually has a say in this as he has a lot riding on this series (if the viewing figures are low, the BBC will just assume it’s because of Jodie Whittaker being the first female Doctor). I know when the show is on every week because I watch every week and make sure to check when it’s on but the general public, who drop in and out, will not be as dedicated as me. The show needs a proper time slot.

So, those are five points I hope Chris Chibnall expands on in his era. Have some original ideas, some great villains, have fun but don’t forget to take risks, don’t let anything be spoilt in advance and don’t let the show air inconsistently. Let’s wait and see.

Twice Upon a Time review

What an exciting time to be a Whovian. We have a new showrunner and a female Doctor on the way, but before we get there, we had the final story of the highly interesting Peter Capaldi era, and by an extension Steven Moffat’s time as showrunner. By “interesting” I mean that no matter what you think of this past era, whether you think it’s a new Golden Age or a complete mess (I’ve seen strong arguments for both sides), it has been fascinating to watch. It has all come to an end with the incredibly low key adventure Twice Upon a Time. This story had a lot riding on it- it had to write off the Twelfth Doctor, give the First Doctor a good reason to regenerate, follow through on one of the absolute best Doctor Who stories and a very strong series and do all that whilst being cohesive. Did it do that? Mostly.

Let’s deal with the elephant in the room here- this was not the First Doctor. Whilst I’m not denying that David Bradley did a great job recreating William Hartnell’s tics and mannerisms, Steven Moffat’s writing just really let the side down. I understand what he was trying to do- he was using the First Doctor as a way to critique 60’s attitudes and mentality and show how far the show has come. The issue is that it goes against the First Doctor’s character. Yes, in Season 1 he was incredibly condescending, rude and abrasive to everyone. But this is supposed to be the Tenth Planet First Doctor in Season 4, who is a lot more like his future selves and accepting of everyone. Any sexist or discriminatory remarks or actions were a product of the time the stories were made, not the character himself. The First Doctor has been established as being the same as the others in mentality, as all the references to his childhood on Gallifrey refer to the idea that Time Lords have no set gender. So why One would be condescending towards women?

Another issue is that Moffat’s intentions are good, but not necessary because the show has done a fantastic job of moving away from the 60’s mentality. Having a female Doctor is a strong enough statement to show that the show has come far from the idea that the female companion was second tier to the masculine Doctor and companions (even then, Barbara is an excellent character who is a very strong female companion in the 60’s). We’ve had strong, diverse characters and the show has made great leaps in progress. Moffat really didn’t need to emphasise the differences between the 60’s and now because people know. Fans know that Toberman from Tomb of the Cybermen is not equatable to Martha, Mickey and Bill and that the modern era’s strong female characters are evidence of the show changing.

So, other than that massive issue, how was the episode? Pretty decent.

Whilst I would have loved the Twelfth Doctor to regenerate in The Doctor Falls, I was pretty happy with this episode. The best aspect of it is how it fixed one of my biggest problems with the Capaldi era and actually brought together all three seasons of his era together. His era had felt disjointed and unconnected, with no real continuity between them. This is probably due to Moffat completely changing Twelve’s behaviour and story arcs after Series 8 flopped with many people. After that you had Series 9, seen as an improvement by some but more of the same for others. Following this there was Series 10 which had a completely different tone and style again. In contrast to the other New Series Doctors, Capaldi’s run hasn’t been the most connected or well thought out.

So when everything got connected here, I was happy. Rusty the Dalek was a great callback, the stupid stupid memory wipe was erased and Clara returned briefly, which despite everything I’ve said about her I really liked. It was a great way to connect the era and I liked how Bill and Nardole were incorporated as well, allowing Twelve to say goodbye to all his companions. I would have liked to see Missy as well so that the Doctor would know she ultimately died fighting for him but that’s a minor gripe. Capaldi’s era has been retroactively improved by the inclusion of Clara in this story and the removal of one of the worst aspects of Hell Bent. I might actually like it now. Emphasis on “might”.

The story itself was very interesting and it had great ideas. The Testimony are a great idea which I would like to see again, and it’s great that they weren’t a villain and the situation were a misunderstanding. Although I am desperate for truly evil and memorable villains in the show again. The inclusion of the General was great, as he added some gravitas to the story and connected the plot to the wider Whoniverse. The Christmas Truce was a great touch with real meaning and weight to it, although I saw it coming. There isn’t too much to the plot, as there isn’t really one, but I can forgive it as it was more of a character piece. But again, I am so desperate for in depth stories and monsters again. It’s also great how this story brought Bill back without ruining her departure in the finale, which I thought was excellent.

Despite having many issues with the First Doctor, I did like some aspects of his interactions with the Twelfth Doctor. I loved how he learnt about change and how seeing his future set him on the path to regenerate, and the opening scene with The Tenth Planet was amazing. The Twelfth Doctor was utter gold, and it’s one of his best portrayals. The Doctor Falls was all about the Doctor earning his rest after so many years of fighting, whilst Twice Upon a Time is about him deciding he doesn’t need it and that the universe would be worse off without him. To top it all off, we get an amazing final speech and one final, brilliant performance from Peter Capaldi. Even in his worst scripts, he has shone.

So in conclusion, pretty decent. This wouldn’t make my Top 10 Capaldi stories or my Top 5 Christmas Specials but it was pretty enjoyable on the whole. Can’t wait for the next series.

That’s it.

Wait, there was something else?

Oh yeah, Jodie Whittaker as the Thirteenth Doctor.

I’ll be absolutely honest here and say that this is the quickest I have accepted a new Doctor. Excluding David Tennant, who was my first, it took me roughly around Vampires of Venice to truly “get” Matt Smith’s Doctor (now my favourite) and I don’t know when I accepted Peter Capaldi. It certainly took a while, but by The Zygon Inversion I truly got into his incarnation and until Series 10 before I consistently enjoyed him. With Jodie Whittaker, all it took for me to see her as the Doctor was her grin and proclaiming “Oh brilliant”, before being immediately thrown out of an exploding TARDIS in the most Doctorly sequence imaginable. I’m sold already.

Bring on Series 11.

Doctor Who Series 10: Thin Ice Review

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With it being slightly frosty this week, yesterday’s episode was very appropriate for the weather. Regardless of weather, this episode still continues the trend of fantastic stories from Series 10. I’m serious, if these early episodes are supposed to be the “weaker” ones, then I just can’t wait for the upcoming ones.

One of the best things about this episode is how it’s completely different from last week. We’ve gone from a sci-fi mystery with robots and lasers to a Regency-era costume drama with a big fish/snake thing. It’s this kind of juxtaposition that I love from Doctor Who, and this is probably the biggest contrast for consecutive episodes since Rings of Akhaten/Cold War.

The character work was superb this week, as both regulars got huge amounts of development. Sarah Dollard really knows how to write the Twelfth Doctor and he gets one of his best outings in a while, with his characteristic snarking, humour and cynicism mixed with humanity and warmth. The highlights are when he punched Sutcliffe for his treatment of Bill (I’ve seen people complain about this, but trust me, the Doctor is NOT a pacifist. Just watch any Jon Pertwee or Colin Baker story) and his speech about human progress.

Human progress isn’t measured by industry. It’s measured by the value you place on a life. An unimportant life. A life without privilege. The boy who died on the river, that boy’s value is your value. That’s what defines an age, that’s… what defines a species.

There’s also the continued development of Bill, and this episode once again shows what Moffat and co should have done with Clara in Series 7- show that travelling with the Doctor was not always fun. In this story, she sees a child die (pretty dark considering Doctor Who is a family show) and is understandably upset about it. There were hints of this in Cold War when Skaldak was killing the redshirts, but Clara never had a moment to reflect on what she saw. By having Bill realise the darker side of the Doctor and respond in a realistic way, it makes her more human and relatable. There are plenty of fantastic scenes between them and all three episodes so far have essentially been just her and the Doctor learning about each other. I feel like beginning from Knock Knock, the stories will get larger and more plot based.

I really liked the villain, Lord Sutcliffe, and he was basically exactly what I wanted after two weeks with no villains. I said I liked him when it’s really more “love to hate”, as in he’s so evil and careless that I just couldn’t help but like him and hate him at the same time. He’s essentially a villain from the Jon Pertwee era and as a massive fan of that era, I appreciated the return the stingy, metaphorically moustache twirling, condescending, obnoxious figure of high power that just irritates the Doctor and the audience. He’s so evil that his death is immensely satisfying. It’s been a while since we’ve had a decent human villain on Doctor Who, and Sutcliffe is probably the best since Solomon from Dinosaurs on a Spaceship. I’d have liked to see more of him though and have his plan expanded.

I’d love to see this guy spar with Edmund Blackadder, considering he was also in Regency London. I’d call the episode Fish and Finality. I reckon Sutcliffe would not be able to stand a chance against Blackadder.

There’s so much more to love about this story. One of the best aspects was how it handled the racism of 1814 and taught the children watching that it is never appropriate to be racist, regardless of what time period someone’s from (just because nearly everyone in 1814 was racist doesn’t excuse it). Whilst I love the Shakespeare Code, it didn’t really deal with the obvious issues that Martha would be dealing with in the 16th century. Thin Ice deals with the issue of Bill facing racism in the past a lot better, even if it was just by the Doctor knocking Sutcliffe unconscious in anger. Part of Doctor Who’s original goal was to educate the kids, and this was a good way to do it. Throwing in a real historical event and giving it a Doctor Who twist also makes the historical aspect of the show stand out more than just stories which happen to be in the past (what did the Vikings and Stuart settings add to the Ashildr stories last season?)

Another interesting element was the lack of aliens (again). It’s never really confirmed whether the sea serpent is from Earth or not and I like it that way. Whilst it is yet another misunderstood creature, the presence of Sutcliffe means there was an actual villain, although I really want the monsters this week to be the “we will kill you all” kind. Comparisons to The Beast Below are obvious as well as the Torchwood episode Meat (I’ve only recently gotten into Torchwood and I’ve been watching the good ones with my dad). There were also elements of Kill the Moon (companion makes a choice that revolves around a moral dilemma) but it’s handled better here because there weren’t any one sided dilemmas and no giant flying moon babies.

Ice to meet you (I know, I know, puns are terrible. Eye won’t make any more)

Overall, we have yet another strong episode. I feel like I’m in the minority when I say Smile is my favourite of this opening trilogy (its sci-fi aspects, clever twists and great dialogue sell it for me) but Thin Ice comes a very close second. As one of my most anticipated episodes pre broadcast it didn’t disappoint. There wasn’t much about the story arc, but we got a hint towards what’s in the vault (my Master theory is getting stronger) and it appears that Nardole will become a regular from next week.

Speaking of next week, we have a mysterious landlord, a haunted house, tree dudes and things in the wall. It feels like Ghost Light and the SJA story The Eternity Trap combined. Before that though, I’ll be reviewing Guardians of the Galaxy Volume 2.

Smile review: All is forgiven Frank

Well, another week, another Doctor Who. After the fast paced frenzy of last week and the introduction of a great new companion, this week took a much slower pace with an episode that evoked Classic Who, in particular The Ark in Space and The Happiness Patrol.

As I said in my Series 10 hype post, this was the episode I was the most worried about, considering Frank Cottrell Boyce’s only other Doctor Who script was In the Forest of the Night. Fortunately, Smile was a lot better, and I enjoyed it even more than The Pilot.

A big part of this was because of the Doctor and Bill’s interactions, with Nardole completely disappearing from the episode in the first scene. The episode played out like a Part One of Classic Who, where the characters explore the setting by themselves. This was especially important as we needed to know how this new TARDIS team functioned and how Bill adjusted to life in the TARDIS. Having no real action or supporting characters meant the story could have been dull, but due to the interactions and continued character development I was entertained throughout.

My thoughts on the episode in a nutshell.

I love the structure of this story, with the pieces slowly being unravelled and the plot slowly fitting together to form a very enticing mystery. Each plot point made sense and felt necessary, with every aspect of the story slotting into place by the end. I’ll admit the ending was a bit weak, with the Doctor essentially rebooting the robots with his sonic screwdriver, but the resolution still ultimately left me satisfied due to the great build up.

The emojibots worked well in my opinion. They weren’t particularly scary but I don’t think they were meant to be, especially considering the whole story was just a misunderstanding between the Vardis and the humans. It was quite brave to have a story with no real villain (The Edge of Destruction, Listen and to an extent Gridlock all show how a story with no villain can work, as does Smile) and I appreciated the small scale nature of the story and due to the lack of a real antagonist the emojibots served their purpose well as a physical threat to keep the story from being too boring. This is the second story in a row with no actual villain, so I’m hoping this week we see the return of the evil, slightly hammy doomsday villain, because sometimes that’s good.

This frowny face is hilarious and is basically my reaction to there being yet another election I can’t vote in.

I found the Doctor’s characterisation in this episode spot on. It’s so refreshing to have the Doctor not know what’s going on and he has to solve everything by slowly investigating the situation and putting the pieces together. Something even rarer was the Doctor making a massive mistake and almost blowing up the cryogenic chambers. The Doctor rarely makes mistakes and seeing him make one was very refreshing, especially in comparison to the know-it-all persona that Steven Moffat loves. The balance between the gruff Doctor of Series 8 and the more quirky Doctor in Series 9 has been very well balanced, so it’s once again a shame that this is Peter Capaldi’s final series. I call it Peter Davison syndrome, where a Doctor only really comes into his own in his final series.

The story had a very William Hartnell vibe, from the slow pace to the Doctor miscalculating to the awesome link to Thin Ice at the end. Much like a William Hartnell story, we have a story which is more about the characters and the setting than the alien threat. The supporting characters however weren’t the best, and they only really popped up in the final third. This is where the story dips slightly, as In the Forest of the Night syndrome hits and we get some forced moralising, albeit more subtly. I wish the story developed the misunderstanding more and delved more deeply into the ideas of emotion and grief, which was the instigator of the whole story. The more I think about it, the more Smile is really just a more macarbe Inside Out.

I love the contrast between the clean city and dirty spaceship. This whole set looks like something out of the Tom Baker era.

 

SMILE OR DIE!

However, these are just a few flaws in what is a very enjoyable story. Bill continues to be great (in a few episodes time she may end up being my second favourite New Who companion, if not number one) and if the quality remains this good, we could have the best New Who series, surpassing even Series 4 and 5. Considering Smile had the most potential out of all the episodes to be bad, the fact that it’s good bodes very well for the episodes that looked great from the start.

Such as this week, featuring elephants and a frozen Thames. I cannot wait for this Saturday.

Doctor Who Series 10- Let the hype begin

Hasn’t this year gone quickly? It’s already April and the new Doctor Who series is on the horizon. So, like with the past two series, I’ll be going through the series and looking at which episodes I’m looking forward to the most.

  • The Pilot

So what’s with that title? I know Steven Moffat wants to have it feel like a brand new show, but that title’s weird. Anyway, this is the opening episode, which are never my most anticipated, but nonetheless this one is important as it’ll introduce Bill. From what I’ve read the Doctor is stuck on Earth like Jon Pertwee was and is doing lectures at Bill’s university. You’ve also got Nardole coming back as the second companion (I loved him in the Christmas Special and look forward to seeing more of him) and the Daleks returning. Again. This will be the second series in a row with a Dalek opener and I hope this isn’t a trend. Whilst the rest of the series sounds more exciting, this is the most important, as new viewers will be introduced to the Whoniverse and viewers who have gone off the show will want to be reminded why this show is awesome.

  • Smile

Out of all the episodes this series, this is the one I’m approaching with the most caution. While the idea of emoji robots is a silly concept, this show has done the Kandyman and superheroes so I’m fine with the idea. The switching faces remind me of the Smilers from The Beast Below (very underrated story may I add). The main reason I’m approaching this one carefully is the writer, Frank Cottrel Boyce, wrote the unmatched genius of In the Forest of the Night (it’s hard to be sarcastic while typing) and I don’t want a repeat of “We’re going to phone everyone on Earth and tell them to leave the trees alone”. The off world story is very important to new viewers as they need to see the diverse nature of the Whoniverse and End of the World, Gridlock, Planet of the Ood, Beast Below and The Rings of Akhaten are all great stories which showcase just how creative the show can be with alien planets and cultures. I just hope this episode matches up to them.

  • Thin Ice

Now we’re talking. The pseudo historical is my favourite genre of Doctor Who, and this one set in 1814 (Regency Period, the same as Blackadder III) is right up my alley. It once again has stiff competition in the “first trip companion has to the past” department against The Unquiet Dead, The Shakespeare Code, The Fires of Pompeii and Cold War (I really liked this one on a rewatch) but considering Sarah Dollard wrote Face the Raven we should be in for good things. This is set in the last Frost Fair and is rumoured to be about a giant snake in the Thames. Much like the off world story, the historical story needs to show viewers the variety of the show and demonstrate the BBC’s massive costume department. This is one of my most anticipated of the series, and it seems to be a standalone story with everything I want from an episode, especially the giant snake. Incidentally, I really hope the monsters this year are scarier and more intimidating that Lenny the Lion and walking sleep dust.

  • Knock Knock

I really hope that picture matches the episode. Not much is known about this one except for the fact it introduces the Landlord (played by one of my mum’s favourite actors David Suchet), who may or not be a Time Lord. This is written by Mike Bartlett in his first Who script, so we should expect ideas outside of the norm. Rumoured to be one of the scariest of the series, this story will supposedly answer why the floorboards creak. Giant woodlice are also supposed to be involved, so I’m hoping for the Tractators from the great Peter Davison story Frontios to return. How the wood people tie into all this is a mystery, but I hope they don’t have a connection to that terrible Christmas special which I can’t be bothered to type out because it’s too long (the one with the trees. Doctor Who and trees don’t get along well). I’m expecting this to be tied to the story arc in some way due to the Landlord being a heavly promoted character.

  • Oxygen

Again, really hope that picture matches. We once again have a story where we don’t know much, however I love what we do know. It’s set on a spaceship and appears to be similar to a Troughton base under siege and the underrated Series 3 story 42. It’s written by Jamie Mathieson who wrote the brilliant Mummy on the Orient Express and Flatline in Series 8 and co wrote the slightly less awesome but still fun Girl Who Died in Series 9. This appears to be another scary one and the clips of the Doctor and Bill in space appear to be from this story. I’m hoping that this turns out to be one of the best, as this also seems very standalone and character based. There’s no monster I can much to this episode, so maybe they’re too scary to put in the trailer like the Foretold was or they’re being hidden. It’s been ages since I’ve been scared by Doctor Who (it’s not the fact I’m older, as Waters of Mars still terrifies me) so hopefully this will truly be behind the sofa stuff.

  • Extremis/The Pyramid at the End of the World/The Lie of the Land

This is where things start to get really interesting, as there is a three part epic right in the middle of the series. This is my most anticipated of the series for many reasons. My favourite Master is returning, there’s some awesome looking new villains and it’s a three parter, which is very rare for the New Series. Whether this is going to be a full on three parter or a trilogy of linked like the Black Guardian trilogy or E-Space trilogy from Classic Who we don’t know. There’s three different writers, so my money’s on the second option. Part 1 is by Steven Moffat (mostly reliable), Part 2 is by Peter Harness (as long as he writes something like the Zygon Inversion and not Kill the Egg we should be fine) and Part 3 is by my favourite Doctor Who writer Toby Whithouse, so at least one part of this story will be awesome. Having a story this big in the middle of the series should be great as it will build momentum rather than lose momentum as a series often does, so let’s hope this story deserves a quarter of the series.

  • The Empress of Mars (WHAT a title)

As I’ve mentioned, I liked Cold War a lot more when I rewatched it a month ago. I didn’t like it when it first aired but I’ve come to the conclusion it’s a pretty good, if slightly rushed Ice Warrior story with an awesome setting and Matt Smith is great in it. The Ice Warriors are a very complex species so hopefully we will see good Ice Warriors, the awesome Ice Lord and the Grand Marshall in this episode. I like most of Mark Gatiss’s episodes and hopefully this one won’t slip under the radar due to its placement in the series. This one will be set on Mars (a potential return for the Flood?) and will also somehow have Zulu warriors. I’m looking forward to this one a lot more having rewatched both Cold War and watching their Classic Who stories (The Seeds of Death is really really fun and Curse of Peladon is one of my favourite Jon Pertwee stories). The Ice Warrior seen in the trailer appears to be the Empress of the Ice Warriors. This isn’t one of my most anticipated, but I think it’ll end up being one of my favourites.

  • The Eaters of Light

The first story in the New Series to be written by a Classic Who writer, Rona Monroe. She wrote the fantastic final story of Classic Who, Survival, which I highly recommend to anybody interested in checking out Classic Who as it’s very similar to Russel T Davies’s take on the show. Not much has been revealed apart from the title, but it appears to be set in ancient times (Romans are involved so probably the Roman conquest) and is said to be set in Scotland. Here’s hoping Peter Capaldi channels Sylvester McCoy in this one. This may end up being a pure historical, but judging by the title it’s probably not. As it’s the story before the finale, it needs to keep the momentum of the show going as Fear Her, In the Forest of the Night and Sleep No More all killed the momentum of the series which it needed before the finale. It may end up connecting to the finale like Utopia or Turn Left, but seeing how we don’t know anything about the arc it’s only speculation at this stage.

  • Episode 11 & 12

The original Cybermen from the Tenth Planet are back for what should hopefully be a fantastic finale. Steven Moffat’s track record with finales is patchy (Series 5, 7 and 8 have amazing finales, Series 6’s is meh and the less said about Hell Bent the better) but as this is his final one I’m expecting good things. We have Cybermen from the Tenth Planet as well as the new ones and the Cybus ones returning, so all we need are the Tomb of the Cybermen ones, the Invasion ones and the Exxxcellent ones from the 80’s. Missy is also returning, which is great as there’s always room for more Missy, and everything indicates that this will be one of the best finales of New Who. The Cybermen are my favourite monster and I’ve been longing for a finale in which they take centre stage, so I was so happy when I heard the news. Before this finale, watch the Tenth Planet and listen to the Big Finish audio Spare Parts for background on the Mondasian Cybermen. They’re so creepy with the cloth faces and sing-song voice and I hope Steven Moffat does them justice.

All in all, I am obviously very excited about Series 10. Unlike most of the other seasons, there doesn’t seem to be any obvious filler or cheap episodes, which is fantastic. We’ve got great writers, fantastic sounding episodes and a wide variety of monsters old and new. Add on top of that a new companion and a Doctor at the height of his powers and we should be in for what I hope is the first truly perfect series of New Who, because a perfect series is possible. Peter Capaldi deserves to go out on a high.

Here are my rankings from most to least anticipated-

  1. The Missy/Monk three parter
  2. Oxygen
  3. Thin Ice
  4. The finale
  5. Knock Knock
  6. The Eaters of Light
  7. The Pilot
  8. The Empress of Mars
  9. Smile

My visit to Cardiff: Doctor Who Experience

Yesterday I went to Cardiff with my mum and my friend Joe. While the main goal was to visit the Doctor Who Experience, there were many exciting things to comment on. Firstly, a few observations about Cardiff –

  1. There were no clear signs anywhere. No signs for toilets at the train station; no signs for the bus stop. There was no signpost from the train station to tell us where we could take the bus to the Doctor Who Experience. It really was strange walking about Central Cardiff with no idea where to go.
  2. I saw the place where the Tardis landed in the episodes Boom Town and Utopia. It was awesome!
  3. There were a lot of Welsh flags everywhere. There were many flying in the street. It seems strange seeing how there are barely any Union Flags here in England.
Wales flags in Cardiff

There are lots of Wales flags in Cardiff.

Visiting The Doctor Who Experience in Cardiff

So now onto the Doctor Who Experience. Read the rest of this entry

Top 5 favourite Doctors

I know normally this is the time for the Doctor Who episode review, but I still need time to think the latest episode over. Still, I thought it was really, really, really, really good, but the reason why the review is not here is because I need time to analyse it. Yes, that’s right, analysis! It’s THAT good.

So, it gives me an opportunity to do a post I’ve always wanted to do. So, with 13 Doctors, which ones are my favourites? If you know me you should know my favourite, but there are other Doctors who are equally as awesome. Let’s start off with the adventurer…

The Tenth Doctor, David Tennant

“Allons-y!”

 

Yes, it’s everyone’s favourite Doctor kicking off the list. One of the many reasons I like the Tenth is that he can go through so much without saying a word. The image above is from The Family of Blood, and without words you can see that he is angry. But he’s also fun loving (especially in Series 2) and caring, willing to give even people like Davros and the Master a chance to redeem themselves.

Despite losing so many people, with Rose permanently trapped in a parallel dimension, Martha leaving to look after her family and Donna having her memory wiped, the Doctor still remained optimistic and adventurous, throwing himself into adventures always with a cheeky grin on his face and mumbling science mumbo-jumbo in rapid succession. My favourite stories from his era include Silence in The Library/Forest of the Dead, Human Nature/The Family of Blood, The Waters of Mars, School Reunion and The Fires of Pompeii.

And now, it’s time for the time travelling eccentric…

The Fourth Doctor, Tom Baker

“Would you like a jelly baby?”

would you like a jelly baby

 

Before Tennant, Baker was arguably the most iconic Doctor (Well, why else would he be the only Classic Doctor Who actor to appear in the 50th?). His obvious alien nature, his quirky dress sense and his ability to change emotions in the space of a sentence truly makes the Fourth Doctor one of my favourites. He’s just impossible to dislike, as he would bounce up and down like a child and save the day before the villains even knew what had happened. This Doctor was always an outsider, as even when he was on Gallifrey he would stand out.

He too was subject to moments of darkness, but his bursts of rage contrasts his bubbly outer persona so well it never seems out of place. He was equally delighted in being held at gunpoint as he was sitting in the Tardis playing chess with K9. I’m currently having a marathon through his era with my Dad, so I’ve seen nearly all of his stories, with my favourites being Genesis of the Daleks, The Seeds of Doom, The Deadly Assasin, Image of the Fendhal and City of Death.

And now, it’s time to move onto the James Bond of Doctors…

The Third Doctor, Jon Pertwee

“Reverse the polarity of the neutron flow”

you sir are a nitwit

 

Stuck on Earth for the majority of his era, the Third Doctor was unlike any other incarnation, driving around in his car Bessie with a cloak billowing behind his back, ready to use Venusian Aikido on anyone standing in his way. Arguably the most violent incarnation (though the War Doctor might have topped that position), this Doctor was also armed with UNIT, a lab and a mouthful of sarcastic quips.

More like an Earth scientist than a Time Lord, his attitude is one of annoyance at being stuck on Earth, though as he gains re-control of the Tardis he loosens up and begins to accept Earth as a home. In fact, I like to believe the Doctor’s current love of Earth steams from his time working for UNIT. Oh, and the Third Doctor can’t be mentioned without mentioning the Master, whose rivalry with each other remains unmatched in Who history. My favourite Third Doctor stories include the Curse of Peladon, Planet of the Spiders, The Sea Devils, Terror of the Autons and The Green Death.

And now, make way for the mysterious manipulator of Time…

The Seventh Doctor, Sylvester McCoy

“Unlimited rice pudding, etc, etc?”

 

 

I’ll admit, the Seventh Doctor is probably the first Doctor I remember seeing (Remembrance of the Daleks I think I saw). Even though my love for this Doctor stems from his final season, I understand that many people dislike the Seventh due to his first season. However, he is one of my favourites simply because he seems so Doctorly. He treats every mistake as a lesson, and rather than using violence uses words and cunning manipulation to trick people. When he walks into a room, he already has everything planned out, and uses his vulnerability to fool his opponents.

People describe this Doctor as the chess master Doctor, which is a perfect description. He plans all his moves and will convert any uncontrollable situation into one which he has total control over. He hated violence (a stark contrast to the Third) and will use any means to achieve his own gain, even manipulating his companion Ace to figure out the mystery behind her, in what was one of the biggest story arcs in the Classic Series. Because the series was cancelled during the Seventh’s era, he didn’t have as many stories as the others on this list, but my favourites are Remembrance of the Daleks, Battlefield, The Curse of Fenric, Ghost Light and Survival, the latter four all consisted of his final season.

And now, my favourite. It’s time for the madman in a box…

The Eleventh Doctor, Matt Smith

“Geronimo!”

hello i'm the doctor

 

My favourite Doctor is also the era which made me a mad Who fan. Sure, I had seen David Tennant, but it wasn’t until Matt Smith where I truly became MAD about Doctor Who. Without him, I would never had been interested in Classic Who as much as I am now. Everything about the Eleventh Doctor seems made to suit me; his off beat manner, his optimism, his humorous comments, his manner of moving and speaking all come together into a Doctor which is just perfect to me. His personality truly changed during his run.

He started off as a madman who would hide his brilliance underneath a playful image, but during Series 6 and with the loss of Amy and Rory, he became a man tired of playing around and aimed to become a defender of the universe however bad it was. He stopped being a child inside a man’s body and turned into an old man inside a young body, who had seen so much evil yet hid it. His era was truly brilliant, and many of my all time favourite stories are from his era, including Vincent and the Doctor, The Doctor’s Wife, The Impossible Astronaught/Day of the Moon, The Doctor trilogy and of course, The God Complex.

So, those are my five favourites. What are yours? Coming soon: KILL THE MOON!!!!!!!!!!!!!!!

 

Into the Dalek review (Spoilers)

Two episodes in, and the Twelfth Doctor is shaping up to be epic. How does his first proper story hold up against the opener? But before we get going…

That stare of the Doctor.

SPOILERS!!!!!!!!!!!!!!!!!!!!!!

Synopsis

As the episode title shows, this episode shows the Doctor and Clara venturing inside a Dalek, sort of like the Fourth Doctor story The Invisible Enemy. The Doctor finds himself caught in a fight between human soldiers and a fleet of Daleks. The humans have a weapon a Dalek which, according to the Doctor, is “so damaged it became good”. He offers to help go inside the Dalek as he believes that if he can fix this Dalek so that it stays good, he can make the rest of them good. He picks up Clara from her job and they proceed to enter the Dalek…

The main thing to note about this episode is the Doctor. He’s first seen in the episode inside the Tardis, having rescued one of the soldiers from the fight and holding a tray of coffee (the same coffee Clara asked for at the end of last episode). This scene has lots of clever dialogue, as the Doctor literally makes the soldier ask him to take her back to her ship. It’s a great way to show that the Doctor, whatever incarnation, will always try to use non-violence first.

The Doctor

The Doctor in this episode is cold and dark. It’s obvious that he’s still unsure about who he is (hence the “Am I a good man?” scene), but he understands the situation which they’re in. One stand out scene is when he’s inside the Dalek and he tricks a soldier into eating a tracking pill and having him be killed by the Dalek antibodies, allowing him, Clara and the other soldiers a chance to escape the antibodies themselves. This kind of behaviour is definitely not something the Eleventh or Tenth Doctor would have done, making the Twelfth a stark contrast to his predecessors.

What makes the Doctor interesting in this episode though is the fact that despite the fact he is not particularly pleasant in this story, he still has a strong belief that he can make the Daleks good and still has good intentions. When the Dalek turns evil though, he is genuinely upset and even gets slapped by Clara (Capaldi’s lucky, the amount of times Tennant was smacked is a lot more). Despite now being caught in a death machine, he’s still desperate to complete this plan and now aims to make the Dalek good, even if it is just one. However, in the end, the Dalek exterminates all the other Daleks on the ship and remarks to the Doctor “You are a good Dalek”.

Thus, several questions are raised. One: did the Doctor succeed in turning the Dalek good? It exterminated the other Daleks, but that is still wrong. And the second question is all about the final remark the Dalek makes. Both the Doctor and this Dalek have destroyed countless other Daleks in the past, so what makes them different? It’s a great dynamic which should make this Doctor interesting to watch.

The Daleks

The Daleks in this episode are at their coolest. Not only do they actually exterminate people in this episode, but they seem genuinely threatening and have a genuine presence.

The design of the inside of the Dalek is interesting and fun, and the action is a lot more fast paced than last week. The music is also really good and I’m starting to enjoy the new theme now. It has a Classic Who feel to it. This musical track is a stand out-

The episode also shows more of Clara’s life away from the Doctor and also introduces Danny Pink, who will be a major supporting character through the series. However, the beginning and the end of the episode which focuses on him feel strange and don’t link in with the episode. It does raise the fact that he’s a soldier and seeing how the Doctor hates soldiers it would be interesting to see how they will interact in Episode 4.

This leads me to the new segment called “The Top 5 Twelfth Doctor lines in the episode!”. First, the runners-up:

“Don’t be lasagna”

“She cares so I don’t have to”

“He was dead already, I was saving us”

“He’s on the top layer if you want a few words”

And the winner is:

Conclusion (I need to stop using that word it makes the review sound like a test paper)- 9/10 again. There are scenes which didn’t need to be here, but overall it is an interesting look at the Doctor and the Daleks. Onto next week, where I’ll explode in excitement that the Doctor is in medieval England-