No lockdown or virus was going to stop me getting my hands (after opening the box and ordering it online in keeping with social distancing, naturally) on the latest Skulduggery Pleasant book, Seasons of War. Serving as the start of a new trilogy, following the structure of the series in the past, this book is unlike any other in the series. I would’ve reviewed this sooner but time flies when you’re not doing much apart from reading, writing and studying. Besides, my new reading strategy of one chapter a day meant I could enjoy and absorb the book for a lot longer. As a result I will be discussing the plot and important aspects of the narrative as I’m going to assume everyone reading has finished the book.
In the past, I have frantically pitched the idea of a Skulduggery Pleasant film series to Hollywood. The book series by Derek Landy is one of my favourite media properties of all time and since becoming a fan of the books I’ve always wanted to see a film on the big screen. Despite this, I’ve now come to the conclusion that a film would be more harmful to the franchise than good, and here are several reasons why-
It took me a bit longer to read through the latest Skulduggery Pleasant instalment, not the fault of the book itself but due to my exams. Now that they’ve been over and done with, I can finally discuss the brilliant twelfth instalment of the Skulduggery Pleasant saga. Oh boy, what a book this is. At nearly 600 pages this is an epic book and not a word is wasted. Derek Landy crams so much in this book it is quite an achievement. Without further ado, let’s dive into this beast-
Last week saw the release of Skulduggery Pleasant: Bedlam, the twelfth book in the greatest fantasy series of all time. In 2017 I did a series of posts going through each Phase 1 Skulduggery Pleasant book and describing them all, and in Part Three I promised to go in-depth into my favourite book in the series, Kingdom of the Wicked, and look at why it’s my favourite. Well, today is the day I explain my reasoning, as the seventh book in the series is still the high point of the saga in my opinion. When I last talked about this book I went spoiler free, but now, the gloves are off. Let’s dive into this masterpiece spoilers and all.
Another year done and dusted- and what a year it’s been for nerdom. A new Doctor arrived, Thanos killed half the universe (SPOILER ALERT for the three people who don’t know), the Skeleton Detective got political and del Toro won his Oscar. 2019 promises to be huge, so without further ado it’s time to reveal what I am looking forward this year in terms of films, television shows and books. We are returning to Hawkins, visiting our favourite drunk reality jumping cynical genius once again, travelling to a galaxy far far away and the most underrated comic book hero of all time is getting a new coat of red. 2019 is going to be huge.
In fiction, there are characters who speak to you, and characters who enthrall you. As a devourer of pop culture I have witnessed the stories of countless characters, and assembling a list of my favourites was hard. Do I include Tim Burton’s musically inclined skeleton Jack Skellington? The hilariously witty Ian Malcolm? The pop culture juggernaut Batman? The morally complex V? The smug wit and hilarity of Arnold Rimmer? After much deliberation, I have finally got a list together, encompassing some of my favourite films, TV shows and books. Let’s start with the greatest comedy character of all time-
Next month sees the release of Skulduggery Pleasant: Midnight, and I’m naturally very excited. After a year away from my favourite book series, it’s great to return and see what new threats await Skulduggery and Valkyrie. I can also use this opportunity to think about the inevitable film adaptation. At the moment, there really isn’t a major book series that is on the screen, and Skulduggery Pleasant is a perfect series to bring to film. But how would I do it? Well, let’s assume that I control who is going to work on the film and dive straight in-
In terms of behind the scenes, there is one person who is absolutely vital, and that is Derek Landy himself. He once refused a film adaptation of the series because of the poor quality of the script (it had Skulduggery singing. Urgh) and it’s clear that he’ll be heavily involved in the next film attempt. Whilst I don’t think he’ll have time to write it, I think he should remain on as an executive producer- who are actually quite powerful in terms of making a film. He should hold a similar position to JK Rowling for the Harry Potter films and act as an adviser with final say over the production and casting. It is his series after all and I don’t want this to be another Rick Riordan situation where the author has no say in the books. We know what happened then.
Ok, so what studio should have the privilege to have Skulduggery Pleasant as a franchise? Not Disney, they have everything and if they end up with Skulduggery the stupid “Disney pay critics” rubbish will surface and I don’t want this franchise caught up in that. Warner Bros were the ones who tried before and I still think they could pull it off, and I’m not even considering Sony for the obvious fact that they are a terrible company. I don’t know the future of Fox but their poor handling of X-Men films outside of standalones such as Deadpool and Logan and the continued slow death of the Alien franchise makes me uncertain they could manage Skulduggery. Out of the ‘Big Six’, I can see Paramount doing alright with it and Universal could do a great job. They don’t have any major mess ups in terms of franchises (they’ve recovered from Dark Universe) and are doing fine with Jurassic Park. They would deserve Skulduggery Pleasant.
First things first: do not make the first film just to set up sequels. Make the first film good, get an audience, then pitch a sequel. The sequels exist but don’t greenlight the adaptations until the studio are sure they have a successful franchise. That’s the reason why so many franchises fail.
Right, so now we need a director. In my mind, only one director fits Skulduggery Pleasant perfectly, and it’s Guillermo del Toro.
Del Toro is my favourite filmmaker. His films are of the highest quality and always entertain me. Whilst the strength of Pan’s Labyrinth alone should justify why he should make any film, it’s his two Hellboy films that make me want to see his Skulduggery Pleasant. Hellboy is a similar premise done brilliantly, and del Toro is able to make the comic books part of his unique auteur stamp. Hellboy II has action sequences that are similar to scenes in Skulduggery Pleasant, and a franchise based on the fantastical and macabre would be well served under del Toro. I can imagine a darker, more horror based interpretation of the story. There would also be an emphasis on practical effects and stunts, things missing in Hollywood films. Having an award winning filmmaker helm the project would help the studio fund the film too, and hopefully not have too much meddling. Del Toro is also good with casts, and on that subject we turn to casting the principal players. Valkyrie will almost certainly be an open casting for an unknown actor, but Skulduggery Pleasant will probably be a big name who is well loved. Big name? Well loved? How about David Tennant?
One of my favourite Doctors playing one of my favourite characters. Tennant is just perfect for the part. I know he’s not Irish but he’s not English either and had a seamless accent on Doctor Who. I’m pretty sure he can do an accent for Skulduggery too. He can be dramatic, funny and awesome, and if you read any of Skulduggery’s lines in the Tenth Doctor’s manner then you will see why he is an ideal pick. Ideally Skulduggery should be brought to life by amazing motion capture technology. This technique has gone from being a rarity to being used in almost all major films, mostly very well.
Other casting choices I’d like to see happen in future films are John Barrowman, Nathan Fillion or David Harbour as Sanguine, Simon Pegg and Nick Frost as Scapegrace and Thrasher, Benedict Cumberbatch as Erskine Ravel, Idris Elba as Ghastley Bespoke, Stephen Fry as Kenspeckle Grouse and Derek Landy himself as Gordon Edgely. The music should be done by Danny Elfman or Marco Beltrami.
I don’t really have any ideas about the rest of the characters, although they should all be Irish or British, unless they are specifically stated to not be (such as Sanguine and Scarab). The cast will probably not be too expensive as the studio will not risk a big budget flop. Have a modest budget as the first book is a mystery with action in so it doesn’t need to be too expensive or full of explosions and CGI. Release it in September or February, two months that have had proven success in recent times (Deadpool, LEGO Batman, Get Out, It and Black Panther) and also away from competition and the living hell that is non-Marvel blockbusters and the pain of Oscar season. Market it well and use the star power of the behind the scenes crew and- bam! A solid opening weekend, positive word of mouth and loyalty to the book series making both fans and casual audiences happy causes a strong box office. Guillermo del Toro continues to rule Hollywood, David Tennant becomes a major film star and Derek Landy’s books gain a whole new audience. Universal now have a franchise.
Of course, that’s probably not going to happen. Regardless, I think this is the best possible way for a Skulduggery Pleasant film franchise. Derek Landy has stated a film won’t happen until he is fully satisfied with what Hollywood is offering him, so until he is I’m happy with the books. I would love to see this amazing series on the big screen, but I don’t want it being bad either. Of course, a film isn’t the only option- a Sherlock style TV show would work, as would a show on streaming. Whatever happens, I will be there supporting it.
Yeah, I was gonna review this the week it came out but… stuff happened. Annoying GCSE sized stuff. Well, now I have the time, let’s dive into the latest entry of the awesome Skulduggery Pleasant series. A warning that there will be spoilers, but seeing how you’ve probably all read it by now it doesn’t matter. In short, read the book. But you know that already.
The book takes place five years after The Dying of the Light. Roarhaven has become a giant, fully functioning society and Skulduggery is still solving mysteries and crime. Valkyrie has gone into hiding to make up for her actions as Darquesse and everything seems to be fine. Until a group of fanatics led by a mysterious masked figure called Lethe appear and form an “anti-Sanctuary” to rise up against the mortals, who they see as inferior. This forces Skuldggery and Valkyrie back together.
There are many new elements and characters in this book. The most important new character is Omen Darkly, a schoolboy who is not the Chosen One. The Chosen One is his brother (I love this aspect of Derek Landy’s writing. He’s constantly subverting cliches.) Omen is just a normal kid who happens to be the exact person Skulduggery and Valkyrie need for their investigations. He’s a great character and serves as a strong new protagonist, although the focus is of course on the two main characters.
Skulduggery is one of my all time favourite characters, and I am happy to report that Resurrection is a great showing for him. He’s still just as snarky and deadpan as ever, but his experiences over the past books have made him more moral and grounded. A very shocking event happens in the book, when Skulduggery is turned evil by one of the protagonists. In any other series this would have been very brief, but Skulduggery is working for the villains for quite a while. It’s nail bitingly tense whenever he meets Valkyrie, as you’re never too sure whether he’s still evil or turned good. The nature of his character means you cannot tell. Funnily enough I read this the same week Doctor Who aired The Lie of the Land, where the Doctor had also (supposedly) turned evil. Imagine my disappointment when he hadn’t. Obviously Skulduggery is back to normal by the end but the brilliant thing about him is that he’s never been a true hero, so his turning in this book raises questions of his Lord Vile days.
Another positive of this book is how the world has changed. Every character has changed- Valkyrie is no longer a teenage girl, she’s a young woman who still gets visions of Darquesse. China Sorrows is now the Supreme Mage and Tanith is nowhere to be seen. The entire universe of Skulduggery has shifted dramatically, and the tone of the book has too. It’s still funny and action packed, but it’s darker, more character based and more introspective. It’s easily the darkest book of the series but it’s still distinctly the same series that gave us “The sparrow flies south for winter”.
My favourite part of the book is how the other characters have to work around Skulduggery’s new alliance with the villains. The stakes are raised considerably and the book alternates between the heroes desperately trying to figure out how to stop the anti-Sanctuary and Skulduggery working with the villains to resurrect Abyssina, a powerful sorcerer who they believe will lead sorcerers to supremacy over humans. The story is epic and spans many characters. There’s even a subplot dedicated to the American President, who just so happens to be an egotistical billionaire who believes himself to be superior to everyone else. I don’t think I need to comment any further.
The ending of the book is open ended and leaves many unanswered questions, which I assume will be answered in future books. I would be reading them anyway, but leaving the book on a mild cliffhanger means that the consequences of this book will be far reaching. This is a staple of the series, and it’s why I believe a Sherlock-esque TV show of three movie length episodes per series will be the best way to adapt Skulduggery Pleasant, as the episodic format of each book is clear. This book was one of my most anticipated pop culture events of the year, and it did not disappoint. If you’re a fan, you’ve read it already. If you haven’t, start from the beginning and immerse yourself in the brilliant world of Skulduggery Pleasant.
It’s finally time to finish off the guide to my all time favourite book series before the Resurrection on the first of June. The final three books of the series are the longest and most complex in the series, but they never forget to be fun, witty and all kinds of awesome. Let’s start off with my favourite book in the series-
Kingdom of the Wicked
This is it. I’ve teased about my favourite Skulduggery Pleasant for a while but now I can finally discuss this epic story in as much detail as I can without spoiling much. First of all- that title. Secondly- that cover (actually all the covers are epic). This is the longest book in the series but it’s also the most fast paced and plot heavy. The mere premise of the book just grips you, and the opening prologue (it’s so epic it deserves a prologue) will raise so many questions that you will want answered immediately. I’m not going to reveal the plot as going into too much detail will ruin it, but the characters are fantastic, with an amazing “villain”(he doesn’t really count as one in my eyes), brilliant action sequences (remember how I said Death Bringer’s ending was nuts? This ending is even more nuts), and a captivating plot with twist after twist after twist. Try reading that final chapter and not want to read the next book straight away. I really wish one day to truly delve into this awesome book spoilers and all, but for now, I’ll just say it’s the definitive Skulduggery book in my eyes.
Last Stand of Dead Men
I’m using the hardback cover image for this one as it’s the one I have, but both the original covers and reprinted covers I’ve been using for the rest of them are brilliant. War has come to the world of Skulduggery Pleasant, and things get really big really quickly. Whilst this book is the one that strays the most from the detective premise of the series (it’s essentially Sherlock Series 4 in that regard) it is still an incredible read, with a realistic depiction of war (I won’t spoil the details but the seeds are sown from Dark Days), powerful character moments and, as expected by this point, a massive, massive revelation which changes everything, and I do mean everything. This is probably the most serious book, and it does get very dark at points, but it’s never too dark. The ending of the book is a direct lead in to the next. Which brings me to…
The Dying of the Light
The ninth, and until June 1st the final book in the series, this book takes aspects and elements of every single book and combines them into one glorious whole. It’s hard to reveal much without spoilers, but this book is truly epic, capturing everything great about the series. It’s the first book since Death Bringer to be laugh out loud hilarious and the action scenes are as usual fantastic. After nine books, the characters had grown and changed and reading what seemed like the permanent end to the series was just mesmerising. Everything the series is great at is here: characters, action, humour and a great Doctor Who reference near the end. All in all, a fantastic end.
Except it’s not. As we all learnt, Skulduggery Pleasant: Resurrection is coming out on the 1st of June this year, hence these posts. I don’t think I need to explain how excited I am for this book, and along with Doctor Who Series 10, The Last Jedi and Thor: Ragnarok it is one of my most anticipated nerd events happening this year. I did also really like Derek Landy’s other series, Demon Road, and his awesome Tenth Doctor short story, and I hope he writes a full Doctor Who story some day, whether it’s on TV or a book.
Now for the big question: do I want a film? If done right, of course. It all depends on getting the right people (David Tennant as Skulduggery and Guillermo del Toro directing for me) and making sure Derek Landy has as much creative involvement as possible. Honestly, I feel like if an adaptation has to be done, then go for the Sherlock approach- three 90 minute movies for three weeks on TV, with each trilogy forming a season. It would be less bloated than a full blown film franchise and honestly the best way I’d want to experience Skulduggery Pleasant outside of the books. But until the inevitable adaptation comes, we’ve always got the books.
It’s that time of month again (well, not really but my Thirteenth Doctor post and my Berlin school trip has somewhat delayed this post) where I dive into the brilliant world of Skulduggery Pleasant in anticipation of Resurrection (otherwise known as SPX). We now have a cover, which is awesome–
But first, a look back at the original books. The original trilogy focused on introducing the characters and the world, with the story arc being the Faceless Ones, ancient gods who seek to return to the real world. With the tone of the books set, this next set of books focused on the Necromancers, sorcerers who used another kind of magic different from the type used by Skulduggery. It’s also worth saying (as it’s not really a spoiler if you’ve read the first book and I forgot to mention it last time) that Stephanie has changed her name to Valkyrie due to plot specific reasons. With that aside, let’s go straight into it-
The title foreshadows the darker tone that the books will take after this book. There’ll still be comedy, but the stories get more complex and emotional. This one is essentially a James Bond thriller, as a bunch of villains from the previous books team up to try and take down the Sanctuary (the magic government) whilst Skulduggery, Valkyrie and the rest of the gang try to stop them. There is so much happening here but it’s never convoluted or boring. It’s hard to discuss where this book goes without delving into spoilers, but it resolves major plot points whilst setting the stage for the rest of the books.
My personal favourite of this trilogy, Dark Days is an action packed (seriously, it’s got so much action) and more mature book than the first three. The highlights include the villain (my personal favourite from the series) major revelations for the characters, a true shaking of the status quo and an epic car chase in the middle. It truly is one of the finest chapters in the saga, with many many hilarious moments-
“That is an awful plan. On a scale of one to ten – the Trojan War being a ten and General Custer verus all those Indians being a one – your plan is a zero. I don’t think it is a plan at all. I think it’s just a series of happenings that are, to be honest, unlikely to follow on from each other in the way in which everyone’s probably hoping.”
“You’re under arrest for multiple counts of murder. You have the right to not much at all, really. Do you have anything to say in your defense?”
The Goblet of Fire of Skulduggery Pleasant in that it’s where they start getting long. Actually, aside from that there’s not much similarity. Once again discussing without spoilers is difficult, but the book focuses on the ramifications of the events in Dark Days whilst also setting up events in the future books. This is also the point where it’s abundantly clear where the series is headed-like any good series, it transcends its premise (skeleton detective with magic) and becomes something more, whilst still sticking to what readers want. The plot is essentially Valkyrie dealing with a major twist in Dark Days and an army of spectres being unleashed on the world, which is about all I can say without spoiling.
The Necromancers come into the forefront here, and what makes Derek Landy’s take on the Necromancers great is that he doesn’t go with the cliched “all necromancers are evil”. Rather, the necromancers are all different: some are good, others not so much, whilst others are in the middle. There’s also a brilliant subplot that mocks Twilight. By this point, the characters have all evolved and changed, and it’s only going to get more epic.
Remember how I said in Part One that the Skulduggery/Vengous exchange wasn’t the funniest exchange in the series? Well, that’s because this book contains the funniest exchange. I won’t post the full exchange but it does involve the line “The sparrow flies south for winter”. Trust me, it makes sense in context. A major honourable mention for funniest moment goes to the “Detective Inspector Me” sequence-
“I’m Detective Inspector Me. Unusual name, I know. My family were incredibly narcissistic. I’m lucky I escaped with any degree of humility at all, to be honest, but then I’ve always managed to exceed expectations. You are Kenny Dunne, are you not?” “I am.” “Just a few questions for you, Mr Dunne. Or Kenny. Can I call you Kenny? I feel we’ve become friends these past few seconds. Can I call you Kenny?” “Sure,” Kenny said, slightly bafﬂed. “Thank you. Thank you very much. It’s important you feel comfortable around me, Kenny. It’s important we build up a level of trust. That way I’ll catch you completely unprepared when I suddenly accuse you of murder.”
If you thought The Faceless Ones was epic, then brace yourselves as this is even more bonkers than usual. War has sprung between the Necromancers and the Sanctuary and caught in the middle is Skulduggery and Valkyrie. A word of advice- do NOT look up what happens in this book beyond the bare basics. There is a twist here that is so unexpected and out of nowhere which shakes up the very foundations of the series. Despite this being, in my eyes, the most character driven and dark novel, it’s still hilarious, action packed (I seriously want to see how a certain fight is done if the series ever makes the leap to the big screen) and the third act of the book is probably the best two hundred pages that I’ve ever read. However, it’s STILL not my favourite book of the series.
Overall, I feel like these three books are the high point of the saga. The first three books are awesome but quite simple and straightforward mystery/action fantasy stories, and the next three I’ll discuss next month, but these three just sum up why I love this series- they’re funny, heartfelt, entertaining and complex.