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Spider-Man 2 review

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It’s going to be a busy couple of weeks in the world of fandom, in particular the latest Marvel movie, Spider-Man: Homecoming. My expectations are sky high, and I hope the movie can live up to the great run of previous MCU movies as well as live up to the fantastic standards set by comic book movies this year, with all of them being brilliant.

So, to honour the third incarnation of Spider-Man on the big screen, I’m looking back at not only my favourite comic book movie, but one of my favourite movies in general: Spider-Man 2. In my opinion, this is also the finest sequel ever made.

What’s so brilliant about it? Simply put, it’s the story. The story of Spider-Man is simple: a cocky teenager is given powers through chance and through events such as the death of his uncle he learns to use his powers for good. This is all set up in the first film just fine, but it’s in this movie where the themes of the character come into play. In Spider-Man 2, Peter Parker is struggling between his superhero identity and his normal life. He fights crime at night but loses focus on the things that he cares about such as Aunt May and Mary Jane. It’s a simple but captivating dilemma: should Peter give up his responsibility as a superhero to be happy or should he continue his superhero life because it’s the right thing to do even if he can’t be truly happy? This dilemma is at the heart of the film and is the main reason why this movie is amazing.

It’s all in the subtlety of how the story is told. While I love The Dark Knight, I feel the themes are a bit “in your face”. The characters often break the flow of the movie to discuss the themes at play, which is fine, but Spider-Man 2 addresses its themes in a more subtle manner and maintain a strong pace throughout. This is helped by the humour (especially J Jonah Jameson), the comic book esque direction and colour pallette (one of my few flaws with the MCU is how the colour palette is the same greyish tone throughout, except for Guardians of the Galaxy) and the camp factor. It’s an inherently cheesy movie but I feel like it has to be: it’s a movie about a guy dressed in red latex fighting a guy with giant mechanical arms. I feel like comic book movies have to be cheesy, which is why I’m glad DC is embracing the inherent silliness of their comics in Wonder Woman and Suicide Squad after the grim tone of their previous movies. The key to avoiding a completely camp disaster is to have heart and a sense of direction, which is what Spider-Man 2 has.

J Jonah Jameson is the. Best. Character. Ever.

There are so many standout scenes, most of them not action scenes. Even a simple scene like Peter admitting to Aunt May what really happened the night Uncle Ben died have so much impact due to the background behind the characters. My favourite scene is Peter’s vision of Uncle Ben convincing him to keep being Spider-Man, which Peter refuses to do and throws the costume away. It’s a marvellous scene because it perfectly captures the themes of the film, which is Peter abandoning his promise after Ben’s death to ensure no one else has to suffer the same way he did. By abandoning his powers, Peter is also throwing away what Spider-Man stands for.

There’s also Aunt May’s speech about ordinary people having the strength to do extraordinary things as well as the scene where Harry Osborne learns of Peter’s secret identity. Harry is another strong character in the film and his journey builds brilliantly on the ending on the first film and sets up the third. Even though he isn’t the focus of the film, he still gets an arc, which is another strength of the film-making every character feel real.

The best character next to Peter (Spider-Man isn’t in the film much, but when he is it’s brilliant) is Doctor Octopus. An incredibly one dimensional character in the comics (he’s a mad scientist and that’s about it) is turned into a very complex, fleshed out villain. I wouldn’t even call him a villain, as he’s just misguided. He just wants to continue his experiments and the death of his wife drives him to madness and he turns to crime to help continue his research. This is why his sacrifice at the end of the film is important, as he realises the error of his ways. A fantastic villain who complements the themes of the movie perfectly, as whilst Peter is struggling with his double life, Doc Oc has embraced it. This is another aspect of older comic book movies I wish more recent ones would embrace, and actually have a compelling antagonist.

I haven’t even talked about the action yet. As I’ve mentioned, the action in the movie is not the main focus, with the action scenes being there to further the story forward. That doesn’t stop them from being fantastic though. Spidey and Doc Oc’s brawl at the bank is fantastic but the ultimate action sequence is the train battle near the end of the second act. After powerful character moments, compelling dialogue and a brilliant story which details Peter’s struggle to return to normal life, Peter Parker dons the suit once again to battle Doc Oc for a second time. The experience of watching the scene is nothing short of breathtaking, as it’s literally a comic book battle brought to life. I can’t describe the brilliance of this scene, so I’m just going to put the scene here and you will see for yourself. It’s the best action sequence ever put in a comic book movie and it’s so awesome the final fight in the old clocktower feels underwhelming in comparison, even thought it’s still good. The only other times I’ve felt this giddy whilst watching a comic book movie is the Avengers fighting each other in Civil War, and the only other action scene that gives me this amount of satisfaction is the Battle of Minas Tirith in Return of the King.

Overall, Spider-Man 2 is what I would call a perfect movie. It sits comfortably in my Top 10 favourite movies of all time and is the finest comic book movie I’ve ever seen. I’ve heard that Homecoming is the best Spider-Man film, and while I’m sure it’ll be awesome, I don’t feel like anything can top the genius of this movie.

The Eaters of Light review

Well, I’ve finished my exams and have no school for twelve glorious weeks. While I could spend that time going out enjoying the sun, I’m going to spend my time reviewing Doctor Who because of course I am. I’ve missed a few episodes so I’ll sum up my thoughts in brief: Extremis was excellent, Pyramid at the End of the Long Title was pretty good, Lie of the Land was disappointing (especially given the build up) and Empress of Mars was an absolute blast with the greatest cameo ever.

So how does The Eaters of Light stack up with the high quality of the series? In short, I thought it was excellent, and it’s one of my favourites this year along with Oxygen and Thin Ice. With the finale this week, it would have been easy for this episode to be bad and have the finale make up for it (also known as the In the Forest of the Night/Fear Her/Sleep No More effect) but fortunately there’s enough in this episode to make it stand out.

I love historical stories and this is one of the best in recent memory. Like Thin Ice, the story is focused more on the history and the setting rather than the sci fi, and weaves the sci fi to make it support the history rather than have the history support the sci fi, as is often the case. Both historical stories this year are reminiscent of Vincent and the Doctor, one of my favourite stories, in this way.

That’s not to say the sci fi is bad. I would complain that the monster is underused, but after a whole series of misunderstood creatures and underwhelming threats, to have a monster simply want to eat everyone is quite refreshing. The Eater of Light is probably the best designed monster since the Teller and whilst the budget restraints prevented the monster from appearing too much, it appeared enough to be a satisfying threat. In a series lacking in strong monsters, we finally have one. It reminded me of something from Merlin, which is always good as that show was awesome.

I don’t care how old I am, I want this monster as a toy. I still have my toy Werewolf and Pyroville, and I think I have a Prisoner Zero lying around somewhere.

The monster wasn’t the main focus though, which was once again on character. I love the Doctor and Nardole team up and wish they had more solo stories together, and having them together in this one served as a good contrast to last week, which was severely lacking Nardole. He’s become one of my favourite companions, and I can’t believe I would say that when I first heard the news that he was returning. I would like an episode dealing with his past though, which should hopefully happen next series.

The parallels to Rona Munro’s previous story, the excellent Survival (which I also watched last night and gets better every time I watch it) are clear with Bill. Like Ace in that story, Bill has to lead a team of scared young people to fight off an impossible threat, showing how the Doctor has influenced her. It’s important that the two leads are seperated before the finale so we can get the best out of both characters.

How refreshing is it to actually have a TARDIS materialisation scene?

Another similarity to Survival is the excellent pacing. With the exception of Oxygen all the other stories have had pacing issues but The Eaters of Light was perfectly paced, with a strong, satisfying resolution. Whilst the epilogue with Missy did feel completely seperate from the rest of the episode, I felt it was necessary to build hype for this week’s bonkers finale. I actually feel like Missy could be a good, Turlough-esque companion for a few episodes.

Honestly, there’s not really much to discuss here. This was just an incredibly atmospheric and fun standalone story which gave the Twelfth Doctor one last bit of adventure before the guaranteed seriousness of the finale. I loved the fantastical tone of the story, which reminded me of Torchwood’s Small Worlds and as I mentioned, Merlin. When Doctor Who tackles fantasy it can sometimes fall flat but this series has had a really good understanding of fantasy, as this episode and Knock Knock are both more about unexplained, slightly supernatural occurrences rather than science. It works as long as the atmosphere is right.

I’ve mentioned it before, but the Doctor/Nardole dynamic really reminds of the Second Doctor and Jamie. I love their constant snarks at each other and how the Doctor constantly insults Nardole.

If I had to criticise, it’s that the stuff about the crows was just… odd. That was In the Forest of the Night levels of fantasy there and that is not good. As I mentioned, I would have liked to have seen the monster more and have a bit more tense moments with it. The modern day pre-credits was also unnecessary and too similar to last week’s. Which leads me onto a bit of a tangent, but here goes-

Am I the only one who feels like the second half of the series has been paced weirdly? Oxygen and Extremis had built up such a strong sense of hype but the other two Monk episodes failed to escalate the tension, killing the flow. We then got two standalones with similar plots (two warring sides working together, Bill falling down a hole, a Classic Who feel, caves). If I was structuring the series, I would have had Episode 6 deal with the Doctor’s blindness and reveal Missy in the vault, then this episode with the epilogue removed making it a complete standalone, a standalone Episode 8 focusing on Nardole, Empress of Mars with this episode’s epilogue and then Extremis could have served as a Turn Left-esque story where the Mondasian Cybermen are practising an invasion of Earth via a simulation, which would lead straight into the finale. I would have saved the other Monk episodes for another series with the same writer on all parts and Lie of the Land being stretched into two parts.

But back to The Eaters of Light. Overall, this is another very strong episode in what’s shaping up to be the strongest series since Series 5 (Lie of the Land wasn’t the best but it wasn’t a Hell Bent/Kill the Moon disaster). As long as the finale is amazing then Series 10 will likely go down as one of New Who’s best.

Next week it’s the return of John Simm’s Master and the Mondasian Cybermen. As cool as it is to have a multi Master story, I just love the original Cybermen and look forward to their reappearance more. I recommend watching The Tenth Planet and listening to the fantastic Big Finish audio Spare Parts in anticipation.

 

Doctor Who Knock Knock review

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We’re a third of the way through the series already- where’s the time gone? To be realistic, the weeks are going slowly due to my upcoming exams (HELP!) and Doctor Who is the light at the end of the tunnel so to speak.

I’ve made it no secret I’ve found this run of episodes to be very strong so far, but much like Series 8 and 9 we’ll have to wait to see if a dud comes around at some point towards the end (let’s hope not). Knock Knock continues the series’s strong run so far, and is reminiscent of stories like Ghost Light and Image of the Fendahl, two of my favourite stories. Whilst not as strong as those stories, this is still a very entertaining and well written addition to the already strong Series 10. It’s probably my favourite so far.

This is the first time this series where the Doctor and Bill are separated and this is where the episode shines. We see how far Bill has come in just four episodes as she basically tells the Doctor to go away and let her live her life, which is great although I’m not a fan of how Steven Moffat always has companions pop in and out of their daily lives. Whilst I like The Caretaker, we really didn’t need another similar episode in Series 10 dealing with the companion’s dual life so I’m glad that wasn’t the focus this week. Scaring children (and my mum who only watched because of David Suchet) and creating an entertaining story was the focus. It wasn’t as character based as last week, but I’m sensing themes and arcs throughout the series I’ll discuss later.

Haunted house, creepy bugs, body horror. This episode truly feels like a Guillermo del Toro film.

The Doctor was again fantastic (let’s hope Mike Bartlett is invited back in Chris Chibnall’s run) and I always love seeing him work independently and with other characters that aren’t the companion. He gets great lines (“Don’t be scared. It doesn’t help”) and I’m enjoying him every week. Thee most interesting aspect of his character is his interactions with whoever’s in the vault, which I’ll get back to later. Overall, another strong outing for the Twelfth Doctor, who is shaping up to be a truly great Doctor in his final series and it only looks better from here.

The best part of the episode for me was the Landlord. He’s the first truly complex villain of the series and I love how by the end of the episode you truly feel sympathy for him despite his villainous actions. His motives are understandable and he really is a tragic figure, as he’s so caught up with keeping his mother alive that he’s forgotten to live a life, in contrast to both the Doctor and Bill who have experienced loss and moved on. We’ve now had two human villains this series and the Landlord is a lot better than Sutcliffe last week. I’d honestly call the Landlord my favourite original villain since House from The Doctor’s Wife. To think I believed him to be a major character in the whole series when he’s just a one-off character.

One major criticism is that I wish all of Bill’s friends stayed dead (morbid I know but a kid died last week) or at least some of them didn’t come back. Maybe they’ll come back later in the series but I just wish there were some deaths in the episode to increase the stakes. Another problem which the episode shares with the rest of the series so far is the slightly rushed ending. The scenes with Eliza are the best of the series so far with brilliant writing, acting and emotion but there isn’t enough to let the emotions sink in before the tease about the vault. There’s also a lack of explanation about where the woodlice creatures come from or the full extent of their powers. The rushed endings have been a constant problem this series and I really wish the episodes were an hour long. There’s a three parter coming and a two part finale so I doubt this will be a constant problem but it’s been a recurring issue so far.

Not the episode’s fault, but I wish the marketing hadn’t given away Eliza in the trailer. It would have made the reveal in the episode terrifying.

A positive element of all the episodes have been the introduction of themes and character arcs I think will be expanded upon later on in the series. The main theme I think so far is about how to move on from loss or trauma, as it’s popped up in every episode so far-

  • The Pilot: Bill has to let go of Heather and the Doctor has to let go of his oath to accept his new companion.
  • Smile: The Vardi cannot let go of the grief that the colonists faced when the oldest member died and see grief as a virus.
  • Thin Ice: One of the main themes of the episode. Bill moves on from her trauma at seeing someone die and the Doctor admits that he moves on all the time.
  • Knock Knock: The Landlord is unable to move on from the promise he makes to his mother.

Could this go anywhere? I think so, and Steven Moffat is smart enough to bring together all the episodes thematically like he did with Series 5, 8 and to an extent 6. I think it could be to do with what’s in the vault, which I think could either be Missy, The Master, the Myrka, Frobisher the Penguin or Susan. Two of those guesses will definitely not be happening.

“And then there was that time when I fought the Abzorbaloff, but we don’t talk about that…”

In conclusion, Knock Knock is a great story that’s better on rewatch once you know what’s going on. I find it far superior to Hide but not as good as the Classic Who stories I mentioned earlier. This week it’s Oxygen, which looks so awesome I’ve decided to not read or watch anything linked with it. I want to go in completely blind.

Doctor Who Series 10: Thin Ice Review

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With it being slightly frosty this week, yesterday’s episode was very appropriate for the weather. Regardless of weather, this episode still continues the trend of fantastic stories from Series 10. I’m serious, if these early episodes are supposed to be the “weaker” ones, then I just can’t wait for the upcoming ones.

One of the best things about this episode is how it’s completely different from last week. We’ve gone from a sci-fi mystery with robots and lasers to a Regency-era costume drama with a big fish/snake thing. It’s this kind of juxtaposition that I love from Doctor Who, and this is probably the biggest contrast for consecutive episodes since Rings of Akhaten/Cold War.

The character work was superb this week, as both regulars got huge amounts of development. Sarah Dollard really knows how to write the Twelfth Doctor and he gets one of his best outings in a while, with his characteristic snarking, humour and cynicism mixed with humanity and warmth. The highlights are when he punched Sutcliffe for his treatment of Bill (I’ve seen people complain about this, but trust me, the Doctor is NOT a pacifist. Just watch any Jon Pertwee or Colin Baker story) and his speech about human progress.

Human progress isn’t measured by industry. It’s measured by the value you place on a life. An unimportant life. A life without privilege. The boy who died on the river, that boy’s value is your value. That’s what defines an age, that’s… what defines a species.

There’s also the continued development of Bill, and this episode once again shows what Moffat and co should have done with Clara in Series 7- show that travelling with the Doctor was not always fun. In this story, she sees a child die (pretty dark considering Doctor Who is a family show) and is understandably upset about it. There were hints of this in Cold War when Skaldak was killing the redshirts, but Clara never had a moment to reflect on what she saw. By having Bill realise the darker side of the Doctor and respond in a realistic way, it makes her more human and relatable. There are plenty of fantastic scenes between them and all three episodes so far have essentially been just her and the Doctor learning about each other. I feel like beginning from Knock Knock, the stories will get larger and more plot based.

I really liked the villain, Lord Sutcliffe, and he was basically exactly what I wanted after two weeks with no villains. I said I liked him when it’s really more “love to hate”, as in he’s so evil and careless that I just couldn’t help but like him and hate him at the same time. He’s essentially a villain from the Jon Pertwee era and as a massive fan of that era, I appreciated the return the stingy, metaphorically moustache twirling, condescending, obnoxious figure of high power that just irritates the Doctor and the audience. He’s so evil that his death is immensely satisfying. It’s been a while since we’ve had a decent human villain on Doctor Who, and Sutcliffe is probably the best since Solomon from Dinosaurs on a Spaceship. I’d have liked to see more of him though and have his plan expanded.

I’d love to see this guy spar with Edmund Blackadder, considering he was also in Regency London. I’d call the episode Fish and Finality. I reckon Sutcliffe would not be able to stand a chance against Blackadder.

There’s so much more to love about this story. One of the best aspects was how it handled the racism of 1814 and taught the children watching that it is never appropriate to be racist, regardless of what time period someone’s from (just because nearly everyone in 1814 was racist doesn’t excuse it). Whilst I love the Shakespeare Code, it didn’t really deal with the obvious issues that Martha would be dealing with in the 16th century. Thin Ice deals with the issue of Bill facing racism in the past a lot better, even if it was just by the Doctor knocking Sutcliffe unconscious in anger. Part of Doctor Who’s original goal was to educate the kids, and this was a good way to do it. Throwing in a real historical event and giving it a Doctor Who twist also makes the historical aspect of the show stand out more than just stories which happen to be in the past (what did the Vikings and Stuart settings add to the Ashildr stories last season?)

Another interesting element was the lack of aliens (again). It’s never really confirmed whether the sea serpent is from Earth or not and I like it that way. Whilst it is yet another misunderstood creature, the presence of Sutcliffe means there was an actual villain, although I really want the monsters this week to be the “we will kill you all” kind. Comparisons to The Beast Below are obvious as well as the Torchwood episode Meat (I’ve only recently gotten into Torchwood and I’ve been watching the good ones with my dad). There were also elements of Kill the Moon (companion makes a choice that revolves around a moral dilemma) but it’s handled better here because there weren’t any one sided dilemmas and no giant flying moon babies.

Ice to meet you (I know, I know, puns are terrible. Eye won’t make any more)

Overall, we have yet another strong episode. I feel like I’m in the minority when I say Smile is my favourite of this opening trilogy (its sci-fi aspects, clever twists and great dialogue sell it for me) but Thin Ice comes a very close second. As one of my most anticipated episodes pre broadcast it didn’t disappoint. There wasn’t much about the story arc, but we got a hint towards what’s in the vault (my Master theory is getting stronger) and it appears that Nardole will become a regular from next week.

Speaking of next week, we have a mysterious landlord, a haunted house, tree dudes and things in the wall. It feels like Ghost Light and the SJA story The Eternity Trap combined. Before that though, I’ll be reviewing Guardians of the Galaxy Volume 2.

Doctor Who Series 10: The Pilot review

It’s finally here! After 16 months (excluding last year’s Christmas and the entirety of Class) Doctor Who is back without Clara! Yes!

It’s been so long since a new companion I actually had to rewatch the Bells of St John to remind myself of the last time a companion got introduced. To be precise, it’s been over 4 years, which is why The Pilot is so refreshing and feels so new.

As usual, this will contain spoilers, so definitely watch the episode first before reading.

Compared with the Bells of St John (which is a stupider title let’s be honest) this is a much more subtle affair. There’s no massive mystery surrounding Bill and the action is subdued for the first half. It’s more comparable to Rose or Partners in Crime, where the dynamic between the Doctor and the companion take centre stage over the alien plot.

I’ve complained in the past how many Capaldi era villains (Skovox Blitzer, moon spiders, Fisher King, Lenny the Lion and to an extent the Veil) have had no impact on the plot, been sidelined or are underwhelming. Here, I’m willing to let the lacklustre villain aside as there was a clear focus on reintroducing the world of Doctor Who and introducing the new companion. I will not be so kind on this week’s Emojibots if they end up being as stupid as some people think they will be.

So what about the rest of the story? Well, obviously this is Bill’s first story and in 50 minutes I already like her more than Clara. To be fair, I liked Nardole in one Christmas Special more than Clara and it’s pretty easy for me to like a companion more than Clara. Bill is the complete opposite of Clara, who was incredibly unrelatable as time went on and essentially became the Doctor by Series 9. Here however, we have a companion who is completely normal with a normal life and with no big mystery surrounding her, which is great. She’s a combination of Donna and Ace (my two favourite companions after Sarah Jane) and I like the fact that the Doctor acts like a father figure to her like the First, Third and Seventh Doctors were to their companions. This is the dynamic we should have gotten with Clara, and it’s a shame Peter Capaldi is leaving this year so this dynamic may be lost (depends who the new Doctor is).

This scene is awesome and it’s the best “companion enters the TARDIS” scene in my opinion.

Nardole returns yet again, and once again proves that a bit of comedy is never a bad thing. He and the Twelfth Doctor have very good physical comedy and character beats that remind me of the Second Doctor and Jamie. It’s clear from this episode that Nardole now acts as the Doctor’s conscience, as shown when he tells Bill “He doesn’t see the tears”. He doesn’t appear to be in the next one, so I can only assume he’s staying behind at the university to guard the vault, which seems to be the story arc of the series. Many people, including myself I’ll admit, were hesitant about Nardole’s presence in the series, but from his two stories as a companion I’m very happy with what I’ve seen. I loved the call back to Robots of Death when he explains the TARDIS dimensions to Bill and his “Wa-hay” when Bill says the famous line that all companions say when they first see the TARDIS.

What’s in the vault? My money’s on John Simm’s Master.

Another great thing about this story is that I actually got scared. Whilst the monster isn’t the most original concept (the Flood and the Midnight Entity come to mind as similar concepts) the scene where Bill is trying to figure out who’s in her house and she sees an eye in the shower plug was genuinely creepy and I had my knees up to hid the screen. My mum thought it was too scary, but that’s the point of Doctor Who in a way. As someone with fond memories of being scared of the werewolf, the faceless granny, the Empty Child, Weeping Angels, the Flood and the Silence, I think it’s great that a new generation have their own behind the sofa moments.

I’ll admit that I think the chase portion of the episode was the weakest aspect. We have a random trip to (CGI) Australia, a BBC quarr- I mean an alien planet and a war between the Daleks and Movellans (Steven Moffat has just outdone the Macra in Gridlock with “random Classic Who” villain returning. What next? The Malus?). This aspect of the episode is entertaining, it’s just a bit random and I wish the whole episode was in the university where the dark lighting could have kept the creepy tone throughout. On the subject of the Daleks, I think this confirms the popular belief that the Daleks have to be used every year otherwise the BBC use the rights (they appeared in the LEGO Batman Movie though so maybe the BBC do own them). Their appearance is very brief, even briefer than their cameos in Waters of Mars and Wedding of River Song, and are just there to add another scene to the plot. That said, I’d rather have a brief cameo than a rushed Dalek story taking up a slot in the series. I just hope Chris Chibnall uses them well.

I actually rewatched Into the Dalek thinking the Daleks would be important. How wrong I was.

Despite all this, the story was not the focus for this episode, and what it focused on worked very well. The new TARDIS team is great, the story arc is intriguing (how Missy, the Monks, the John Simm Master, the Mondasian Cybermen and possibly the Landlord fit into all this I don’t know) and it’s just great that Doctor Who is finally back on consistent schedule (I say consistent but this week’s episode may be delayed due to football. If that happens heads will roll). Introductory stories are never the best, but they’ve all been good, and The Pilot continues that trend.

Onto Smile, the episode with the Emoji Bots. Let’s hope it’s better than In the Forest of the Night…

The Skulduggery Pleasant Guide: Part One

On July 29th 2016, I was in Iceland, tired from a plane flight that was only five hours but felt a lot longer. My tiredness subsided the instant I read the news- a tenth Skulduggery Pleasant book was coming in 2017. My favourite book series was back with a bang.

skulduggery-shrine

My “Skulduggery Shrine” on my shelf. I don’t actually have the first one as I read that at junior school and fell in love with the series.

So, with a new book on the horizon, naturally the nine previous books are going to be republished with new covers which look awesome. Unfortunately/fortunately, I have the equally awesome older editions with one hardback. The first three books, otherwise known as the Faceless Ones trilogy, were re-released a few days ago, so I felt like it was time to discuss them this month, with the next two months covering the other two trilogies, At the end of my third post, I’ll sum up why I love this series and my hopes for a movie adaptation. These posts are designed to persuade anyone who hasn’t read these books yet to try them, as this year is a pretty good year to start.

  • Book One: Skulduggery Pleasant

skull dude

Much like Harry Potter, the books start off simple. This is an incredibly fun read that pulls the reader into a gripping mystery from the first page. Here’s the first paragraph:

“Gordon Edgley’s death came as a shock to everyone -not least himself. One moment he was in his study, seven words into the twenty-fifth sentence of the final chapter of his new book, And the Darkness Rained Upon Them, and the next he was dead. A tragic loss, his mind echoed numbly as he slipped away.”

What a hilarious, dark and clever way to start. Gordon Edgley’s death fuels the mystery of the first book. Through this simple hook the rest of the characters are introduced. The main character of the series is Stephanie Edgley, Gordon’s niece who inherits his house and who gets embroiled into the mysterious world of magic. There are major revelations regarding her character that I will not spoil. The other main character is of course the Skeleton Detective himself, Skulduggery Pleasant. He’s a fedora wearing, gun toting, trench coat donning, snarky, magic using detective who just happens to be dead and a walking skeleton. He is one of my all time favourite characters in the whole of fiction. Everything I love about a character gets thrown into Skulduggery Pleasant; the cool clothes, the snarky nature and the antihero aspect.

There are other characters, but I won’t go too in depth into them as it’s best to discover for yourselves the great characters. The plot is fast paced and exciting, with twists and turns. I mentioned in a previous post how Derek Landy’s writing appeals to me, as it’s very cinematic and reading it really feels like a movie is playing in your head. Which kind of makes a movie adaptation pointless, but it won’t stop Hollywood trying. I don’t to reveal everything about the book, but I can assure you it is a thrill from start to finish.

  • Book Two: Playing with Fire

playing-with-fire

This is the book where all the elements of the series really start coming together. We get more characters, such as the awesome Billy Ray Sanguine, and many aspects of this book are continued through to the ninth (it makes me so happy not saying “last book”). This time around, the stakes are not just doubled, but tripled, as the heroes have to battle three villains. Somehow, it’s even more bonkers, fun and carefully plotted than the last. It’s my favourite of the original trilogy, and probably my second favourite of the lot (I shall reveal my favourite in due course).

It’s also side-splittingly funny. One of the best aspects of the series is the constant witty banter and funny lines. Even as the books get longer and darker, Derek Landy never forgets to add humour, but knows how to restrain it for character and emotion when necessary. Playing With Fire is one of the funniest books I’ve ever read, with this legendary exchange between Skulduggery and the villain, Vengous, being only one of the hilarious moments in the book. And it’s still not the funniest scene in the series:

‘”Are you going to shoot me?” Vengeous sneered. “I wouldn’t be surprised. What would a thing like you know about honor? Only a heathen would bring a gun to a sword fight.”

“And only a moron would bring a sword to a gunfight.”

This book remains one of the highpoints of the series for me. The characters, humour, action, plot and thrills all combined together to make this book the one that convinced me to keep reading the rest.

  • Book Three: The Faceless Ones

the-faceless-ones

Not to be confused with the Doctor Who story of the same name (Derek Landy is a Whovian and I’m hoping that one day he will write an episode. Or two. Or three.) The third book brings the plot elements of the previous two together to create another great story. This time, a massive conspiracy causes Skulduggery to come into blows with a criminal gang determined to destroy the world. This, along with Death Bringer and The Dying of the Light, are the trilogy closers and they are all great, but we’ll get to those later.

The trilogies are organised very well. The first book introduces the new elements of the world and the story arc, the second one ups the stakes while the third closes it with a big explosive finale. The Faceless Ones is one of the more serious books, with it being the finale to the initial arc, but there are still fantastic moments of humour like this-

“Then I reckon we got ourselves a good old-fashioned standoff.”
Nobody moved, or said anything, for the next few moments.
“Old-fashioned standoffs are mighty borin”

This book changed the series. No longer were the stories standalone action/detective plots but they were now part of a much larger narrative. Once you finish this book you will immediately want to move onto the next, where the Necromancers rise…

But that’s for next month, where the next batch of new covers will be released. I hope these posts will help people to discover these awesome, awesome books. I feel like they’re the perfect blend of young adult (a genre I usually avoid completely) and younger children, although like Harry Potter they do get darker and more mature as they go on.

Doctor Strange movie review

The Marvel Cinematic Universe has done a lot of strange stuff. From Norse gods to talking raccoons, synthetic androids and shrinking guys that can talk to ants, the MCU has done plenty of bizarre things in their movies, lifted straight from the comics of course. Their most recent movie, Doctor Strange, sees Sherlock Holmes become a sorcerer to defend Earth against threats from across the multiverse. Totally weird and bonkers, and totally Marvel.

az-doctor-strange-2

This movie is about Doctor Stephen Strange, a neurosurgeon who gets involved in a near fatal car accident and loses the ability to move his fingers properly. As a result, he goes to Nepal to find a new way of life, and ends up working with a secret group of sorcerers to battle a bunch of radical sorcerers who aim to bring chaos to the world. Most of this is his backstory in the comics, so revealing this isn’t spoiling much.

There’s a lot to like in this movie, mostly the visual effects. It is one of the most unique Marvel movies and the visual effects help add to this unique nature. Think the ending of Ant-Man was really weird and awesome? Well it gets tripled here, and Doctor Strange’s initial trip into the multiverse is truly breathtaking. I don’t watch movies in 3D but I think this movie would look great in 3d due to the great imagery. The action sequences are also great, with stunning choreography and incredibly interesting and dynamic sequences. I won’t spoil much, but the final fight is so bizarre and brilliant that it has to be seen to be believed. The best fight however, has to be the battle in New York (no you won’t get Avengers flashbacks). I won’t say much, but just-wow.

Another highlight is Doctor Strange himself. At first it was very weird hearing Benedict Cumberbatch in an American accent, but you’ll get used to it. Doctor Strange represents everything I love in a character- he’s snarky (this is Marvel), wears a cape, uses magic and has a strong arc through the film. At the beginning, he is arrogant and takes his job for granted, not really caring for anyone and believing himself superior to everybody else. Just like Sherlock really, so it’s perfect casting. When he loses his job due to his injuries he loses faith in everything and risks everything to reach Nepal and find a way to fix his hands. He shuns his new job at first, wanting only to heal himself, but events in the movie forces him to become Doctor Strange and battle evil.

A common criticism of Marvel movies is the climax always being “things in the sky trying to hit things on the ground”. Marvel have fixed this in recent movies, from Ant-Man’s hilarious subversion of the city battles of the Avengers movies to Civil War’s emotional and character driven final brawl, and Doctor Strange continues this trend. The climax seems like any other Marvel movie- then things get really clever and really fun to watch. I won’t spoil it, but it remained me a lot of the Doctor Who episode Heaven Sent. I guess good Doctors think alike.

Just like any comic book movie, there’s Easter Eggs and fun references to the comic books, but casual viewers should be able to get into it due to the standalone nature of the movie. There are references to the rest of the MCU, but as with Guardians of the Galaxy it is very accessible to anybody who has an interest in it. As per usual with the MCU, Stan Lee gets a great cameo and stay after the credits for an AMAZING tease. The opening Marvel logo has also changed, and it is glorious.

Overall, Doctor Strange is another fantastic entry into the MCU. Not only am I pumped for the sequel, but I desperately want to see Doctor Strange with the rest of the Avengers in Infinity War. I highly recommend this movie even to people who have not heard of the character or don’t enjoy superhero movies. It is a lot more character driven and clever than a standard Marvel movie and is more akin to Inception or Harry Potter.

My favourite Sarah Jane Adventures stories

This week sees the first two episodes of the new Doctor Who spin off Class. To celebrate, I thought I would look back on the show that I arguably loved even more than Doctor Who- The Sarah Jane Adventures.

the_sarah_jane_adventures_intro

The beloved companion of the Third and Fourth Doctor, Sarah Jane was so popular she returned in the new series in one of my absolute favourite Doctor Who stories ever- School Reunion. Following this, a whole spin off was commissioned, aiming to be a more kid-friendly series than Doctor Who. However, at points Sarah Jane Adventures was more mature than Doctor Who. I cannot explain how awesome it was when this show crossed over with Doctor Who and Torchwood (I had no idea who the characters apart from Jack were but my dad explained) in the Series 4 finale. The show continued until 2011, when Elisabeth Sladen unfortunately passed away. I was 10 years old and I can’t remember exactly how I reacted, but I did miss the show, and watching Sarah Jane’s original Doctor Who stories has solidified her as my favourite companion. It helped that she was in some of my favourite Classic stories- Planet of the Spiders, The Ark in Space, Genesis of the Daleks, Terror of the Zygons, The Brain of Morbius and the Seeds of Doom. I’ve yet to reach the Time Warrior on my Classic Series marathon, but I look forward to it a lot.

So with all that aside, let’s dive into this brilliant show with a look at my favourite stories, in chronological order-

  • Warriors of Kudlak

warriors-of-kudlak

I love the concept of this one a lot- training kids to fight for a galactic war using a Laser Quest style game to lure them in, with the best warriors being kidnapped for the Uvodni war (incidentally, I love the Uvodni-they were mentioned in the Pandorica Opens but I’d love to see them appear in the show properly). Where this one gets really good is the second half with the concept of The Mistress, the battle computer, hiding the peace treaty from Kudlak to continue the war as she thinks peace does not compute. It’s a dark concept for a kid’s show and proves that this is a show for all ages. This story also continues the friendship between Luke and Clyde, my favourite SJA character other than Sarah Jane and I really hope he becomes a companion one day.

  • All three Trickster storiesthe-wedding-of-sarah-jane-smith-27

Cheating yes, but I find all three stories featuring the Trickster, Sarah Jane’s ultimate foe, to be outstanding. The Trickster himself is probably my favourite villain in the whole Whoniverse, and his design is simple yet utterly terrifying. The stories themselves are brilliant. Whatever Happened to Sarah Jane? is a great introduction to the character and serves as the Sarah Jane lite story, where the Trickster causes Sarah Jane to fall off a pier when she was young and her friend Andrea being saved and living at 13 Bannerman Road. The Trickster aims to cause the world to be destroyed by a meteorite which Sarah Jane could easily stop, so the Trickster changes history to cause chaos. It’s a great character driven story. Incidentally, the events in the Doctor Who episode Turn Left are linked with this story.

The next Trickster story, The Temptation of Sarah Jane Smith, is my favourite of the bunch. It incorporates time travel into the show and addresses themes common in Doctor Who, namely the idea of changing the past with dire consequences. In this case, Sarah Jane is given the opportunity to save her parents from a car accident that happened when she was a baby. Timey-wimey occurs, and once again the Trickster is behind everything and Sarah Jane’s parents are forced to sacrifice themselves to save the world. Hard to believe this is seen as the Doctor Who spin off for kids.

The Wedding of Sarah Jane Smith features a guest appearance from David Tennant (!) and is amazing, as is the course for a Trickster story. It starts off comical and light hearted with Sarah Jane preparing to get married, then the Doctor appears as the cliffhanger and things get really, really dark. David Tennant is awesome here, and his confrontation with the Trickster is one of the highlights of the story (with foreshadowing to The End of Time, clever). This is also a great story for Clyde as he gets to zap the Trickster with artron energy. Awesome! Overall, these three stories to me represent the height of the series.

  • Day of the Clown

oddbob-the-clown

One of my favourites when I was younger, this story did creep me out when I was younger, even if I’m not scared of clowns. Some of the imagery is pretty disturbing for a “kids” show, especially the scene in the toilet where Oddbob almost takes Clyde. The clown has great music and commands the screen whenever he’s on screen and while there, is of course, a sci-fi explanation, it doesn’t explain everything and leaves some details to the imagination, which is great. This story introduces Rani, who would become a permanent fixture of the show from this story onwards. Sarah Jane also has some great development here, as she has to confront her fear of clowns to take down Oddbob (she should be glad she wasn’t in Greatest Show in the Galaxy). Overall a pretty simple one, but one of the creepiest.

  • Enemy of the Bane

enemy-of-the-bane

Probably one of my most rewatched stories ever, this one is my favourite season finale of the show, tying together many ideas and characters previously established. Mrs Wormwood from Invasion of the Bane is back, Kaagh from the Last Sontaran is back and most importantly, the Brigadier is back! Oh yeah! Throughout Series 2 themes of family had been addressed, from Rani’s family to Clyde’s dad to Sarah Jane’s dilemma involving her parents, and in this story Luke is forced through the dilemma. He was created as a weapon for the Bane in their initial invasion but turned on them, and in this story Mrs Wormwood, the leader of the Bane and technically Luke’s mother, returns and forces Luke to make a choice. Great stuff, and anything with the Brigadier has my seal of approval.

  • The Eternity Trap

the-eternity-trap

Along with Waters of Mars, this story was one of the few Whoniverse stories to genuinely scare me and still scare me now. A much better version of Hide from Series 7 of Doctor Who, this creepy haunted house story is one I’ll be popping in this Halloween (because if you can’t beat them, join them). A great mystery tale with a fantastic villain, The Eternity Trap combines ghosts, red eyed monsters and science fiction to create one of the most unique stories in the series, with character development taking a backseat to atmosphere and scares. The attic isn’t in this one, neither is Mr Smith or Luke, so the focus is on Sarah Jane, Clyde and Rani trying to solve the mystery of Erasmus Darkening. It’s a prototype to Series 4 in a way, and it’s one of my personal favourites.

  • Death of the Doctor

death-of-the-doctor

And I thought the Brigadier and the Tenth Doctor was the pinnacle of Who crossovers with The Sarah Jane Adventures, but no, my favourite Doctor teams up with not only Sarah Jane but Jo Grant, who I’m currently watching in my Classic Series marathon. This story has everything: UNIT, alien vulture undertakers, blue Graske (or Groske) and continuity overload! The scene where the Doctor tells Sarah Jane and Jo to remember their memories of travelling with him to overload the memory weave is one of my favourite scenes ever. Jon Pertwee, Tom Baker, Drashigs, Axons, Davros, Sea Devils, Krynoids, Morbius, Omega, Daleks, Eldrad, the Wirrn- clips from the Classic Series which make me squee with delight. It made me squee then and, due to my new found passion for Classic Who, will definitely make me squee more. In short, my reaction throughout the story is this-

So those were my favourite Sarah Jane Adventures stories. I’ve mainly gone for ones I have watched the most, as most of these aren’t necessarily the best, but they’re certainly the most enjoyable- to me anyway.

I love 60’s Doctor Who!

My Doctor Who marathon has brought me to the end of Doctor Who in the 1960’s. Before this marathon, I had barely seen any Doctor Who from the 60’s. Now, I wish I had started earlier. In a year when the latest episode is still over three months away, Classic Who is my way of coping.

My favourite aspect of this era of Doctor Who is the sheer imagination at play. It puts the new series to shame. Most of 60’s Who is the definition of high concept sci fi, which is what I think is what the show should be. I don’t want convoluted plots, bland drama with no tension or lazy villains. I want science fiction. Stories like The Space Museum, The Ark, The Edge of Destruction, The Web Planet, The Enemy of the World and The Mind Robber are just so imaginative and clever. That’s not forgetting the awesome Cybermen stories. Sure, not all of them are great, but the imagination and storytelling is prevalent. Alien planets, messing about with time, detailed worlds and clever plots are all present in 60’s Who. Sure, they happen in the rest of the Classic Series and the New Series, but the black and white limitations of the 60’s means that they could go nuts with silly costumes and sets and it just felt so genuine.

A story entirely set in the TARDIS? Sure. A planet with giant ants? OK. A land where fictional characters come alive? Why not? A politician who looks like the Doctor tries to destroy the world with volcanoes and the Australian government try to stop him? See what I mean? The imagination and ambition is simply brilliant. Quite why the New Series can’t reach these heights is beyond me. I grew up with David Tennant and Matt Smith so obviously I love the New Series. It’s fantastic and in terms of emotion, character development and production values, it’s in some ways superior (not saying there wasn’t any in Classic Who). But I feel like the storytelling was more risky and brave in the Classic Series, especially the 60’s.

ooo wooo ooo

Now why the New Series don’t have the ambition baffles me. It’s not the budget problems, as the show has a big budget to create alien worlds and fascinating concepts. The audience is smart enough to have high concepts thrown at them. Examples of high concept storytelling in the new series include The Beast two-parter, 42, Silence in the Library, Midnight, Turn Left, The Beast Below, Amy’s Choice, The Doctor’s Wife, The Girl Who Waited (is it too late for me to have a complete change of heart over this story?), Journey to the Centre of the TARDIS, Listen, Flatline, Before the Flood, Sleep No More and Heaven Sent. All these episodes either have imaginative premises, clever time travel or risky ideas. Whether they’re any good is a matter of opinion, but these are the type of episodes I’m looking for.

So anyway, back to 60’s Who. Watching the entire show from 1963-1969 is difficult because of the amount of lost stories, meaning many companions such as Ben (the companion with my name has two surviving stories- urgh), Polly and Steven barely have any stories, making it hard to judge them. Fortunately, the original companions Susan, Ian and Barbara are awesome. OK, mainly Ian, although Barbara did destroy Daleks with a truck. The missing stories are legendary in the Who fandom, and the discovery of the Enemy of the World and Web of Fear recently brings back hope that the 12 part epic The Dalek’s Master Plan (they could do an epic universe spanning threat in the 60’s, why can’t they do it now?) Fury from the Deep, Patrick Troughton’s first story The Power of the Daleks, The Evil of the Daleks and many more can be discovered.

So, what about the Doctor himself? Well, before watching all the remaining 60’s stories, neither Hartnell nor Troughton were particularly high on my favourite Doctors list because I hadn’t seen much of them. While William Hartnell still isn’t among my favourites, despite the fact he is an awesome Doctor for being THE Doctor, Patrick Troughton has risen to my favourite Doctors list alongside Matt Smith, Jon Pertwee, David Tennant and Sylvester McCoy. Watching the Second Doctor, it’s clear that most of the Doctors that followed took something from Patrick Troughton’s Doctor. He is easily the most important actor to play the Doctor, as without his performance the show would have struggled to continue after William Hartnell left due to his poor health. The Second Doctor’s mannerisms are shown in future incarnations. Tom Baker has the eccentric side, Peter Davison has the caring side, Sylvester McCoy has the cunning side, Paul McGann has the optimistic side. Matt Smith in particular took most of his Doctor from watching Tomb of the Cybermen, and it shows, as both the Second and Eleventh Doctors are like that really strange but cool uncle or imaginary friend.

Now I’m going to discuss my favourite stories from the First and Second Doctor eras. Some of the stories here have become some of my favourites-

First Doctor

first doctor

  • The Edge of Destruction- This story is one of the aforementioned high concept stories that I love. The basic story is that a mysterious force has taken over the Tardis and the Tardis crew are slowly losing their minds over it. This is a fascinating story as it is purely a character piece- except it’s a character piece done really, really well as their is no contrived monster or heavy handed plot. The character arcs from the past two stories come full circle here as the four Tardis members blame each other for the scenario. It also has one of my favourite monologues from the show-

  • The Aztecs- This is my favourite William Hartnell story. It’s a pure historical, so it might put people off who are used to the semi historicals of the New Series where history is combined with an alien threat, but in the First Doctor’s era pure historicals were combined with high concept sci fi. The Aztecs establishes a rule that has stuck with history- time can’t be rewritten. The drama from this story comes from Barbara, a history teacher, trying to change the Aztec’s ruthless ways. There’s also some really good comedy in this one, like this brilliant moment-

  • The Dalek Invasion of Earth- This is one of the most iconic Doctor Who stories of all time, thanks mainly to the promotional photo of Daleks on Westminister Bridge.

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This was the first reappearance of the Daleks and the first story to be a classic Earth invasion type after the experimental nature of the earlier Hartnell stories. There’s a really epic feel to this story and while the plot is silly (the Daleks want to drill into the Earth to pilot it as a ship), the tone of the story and the threat of the Daleks make it worthwhile. There’s also the moment when Barbara rams into Daleks with a truck, which is so awesome it needs to be mentioned twice. This is also the first companion departure story, when the Doctor leaves his granddaughter Susan behind to live her own life in another one of the most famous scenes in the show’s history-

  • The War Machines

Doctor Who has a trend of using London’s new and fancy buildings as alien hideouts, from the Shard to Canary Wharf. The first use of this trend was in the War Machines, which used the BT Tower, at the time the tallest building in London. This story was unique to the First Doctor in that it was set on modern Earth and featured the First Doctor in an action type role continued by his successor. It served as the prototype to the UNIT stories of Patrick Troughton and Jon Pertwee. I also really like the monsters in this one, the titular War Machines. Not much to say about this one really, it was just a really fun story.

war machines

Second Doctor

oh my giddy aunt

  • The Tomb of the Cybermen- The story that inspired Matt Smith’s Doctor and probably the most iconic Second Doctor story. The image of Cybermen emerging from their tombs is simply unmatched by any subsequent story and the atmosphere in this one is fantastic. This is the earliest complete Second Doctor story and it is a great starting point, as it defines this incarnation as a playful, jokey type who acts like a bumbling cosmic hobo to trick his enemies into falling into his traps. Despite the Cybermen being a powerful presence here, the main villains are merely humans who want to use the Cybermen, without realising the Cybermen are too powerful for them. There’s also a really great scene between the Doctor and Victoria which shows the Classic Series had just as much character and emotion as the New Series-

  • The Enemy of the World

enemy of the world

Whoever found this story deserves a whole wad of jelly babies. This was an amazing story partly due to its unique nature. There are no aliens or monsters here and it’s basically a James Bond movie with the Doctor. Patrick Troughton plays two roles here really well- the Doctor and Salamander, the ruthless politician who is set on his diabolical schemes. There is a very cinematic scale to the story, which is surprising given that it’s nearly 50 years old. My favourite part is when the Doctor pretends to be Salamander, so it’s basically Patrick Troughton playing the Doctor playing Salamander. This story was in Season 5, and every other story in this season was the “base under siege” type which I love, and this one broke bonds to be truly unique and to this day there is no other story quite like it.

  • The Mind Robber

the mind robber

This is about as bonkers and high concept as Doctor Who gets. The Tardis finds itself in a strange reality where fictional characters such as Gulliver from Gulliver’s Travels and Rapunzel are real. It’s not a particularly complex or thought provoking story but it’s so absurd and unique that it’s impossible to be bored. The amount of ideas here are fantastic and the Land of Fiction, despite being a world where there are no rules, is surprisingly well thought out. I would love to see a return to the Land of Fiction in the new series. The BBC have plenty of shows with their own versions of fictional characters such as Sherlock, and the setting of the Mind Robber allows for crossovers. Seriously, why hasn’t this happened?

  • The Invasion

the invasion

Another iconic story with the image of Cybermen walking down St Paul’s being easily their most famous moment. That doesn’t happen until Episode 6 however, but the rest of the story is just as good. Once again the scope is epic and grand for the 60’s and the threat of global domination is ever present. It starts low key, with a simple trip to Earth and a mystery surrounding missiles on the Moon before escalating into full on war against the Cybermen. The human villain, Tobias Vaughn, is fantastic. He’s so delightfully and obviously evil and the Doctor’s interactions with him are a major highlight. The Cybermen in the sewers of London are also a highlight, and this is probably my favourite Cyberman story, alongside Earthshock.

  • The War Games

I’m just going to come out and say it- The War Games is my favourite story in the whole of Classic Who, and is my second favourite of all time just under The God Complex. It is over 4 hours long yet never feels boring or padded, which is a feat considering how many single part episodes of the new series feel padded. The plot is perfectly paced- what starts off as a simple trip to what appears to be World War One turns into a massive conspiracy involving mysterious aliens kidnapping Earth soldiers to recreate famous wars for nefarious purposes. There are so many good parts to this story. I adore the villains in this story- the War Lord, the War Chief and the Security Chief, all with their own goals and motivations. However, the true brilliance comes in the final episodes. As the situation spirals out of control, the Doctor is forced to call on his own people for help, and the Time Lords make their perfect debut. The Doctor knows asking the Time Lords for help will result in his capture and punishment for stealing the Tardis and interfering in time and space, but he does it because it’s the right thing to do. It speaks so much about this character and why he has endured for so long. All this and more makes the War Games my favourite story in the entire Classic Series.

And that was my love letter to the Doctor Who of the 60’s. I’m currently on Jon Pertwee’s first series and when I’m done with him (I started with Planet of the Spiders) I will have finished all of Classic Who in time (hopefully) for Series 10.

Movies I want to see get made

I have a very obvious passion for movies and as someone who wants to get involved in the film industry, I have some ideas of my own to pitch to Hollywood. So here we go-

  • A sequel to the Nightmare Before Christmas
    tnbc

I know, sequels sometimes suck, and making a sequel to one of my favourite films would be hard to get right. But I believe it can work, just as long as it’s done in stop-motion and the songs are good. The reason I pick this movie to have a sequel is because the film established a brilliant universe, and we only see Halloween and Christmas Town, meaning there’s a lot more potential. In a sequel, Easter Town could be explored, as well as others like St Georges Town (a dragon as their ambassador perhaps?) a Chinese New Year’s Town (with 12 rotating ambassadors) and a Valentine’s Day Town (with Cupid as the ambassador). So here’s the plot. The Krampus, the Sandman, Nian and the Bunyip have risen from the dark corners of myth and folklore and launch an attack on the collective Holiday Towns. So Jack must team up with Santa and the other holiday ambassadors to fight them off.

  • A Ben 10 movie

ben 10

One of my childhood shows, Ben 10 appealed to me because I was 10 and I’m called Ben. The show is about a young boy who discovers an alien watch that turns him into different aliens, each one unique and interesting. The series evolved into a more mature show called Alien Force, with Ben and his friends as teenagers and a slightly darker tone with cooler, less childish aliens, which has my all time favourite alien from the show, Brainstorm, who still sits on my shelf. Also, he’s a psychic crab. This was my favourite version of the show. Ultimate Alien then followed with even more awesome aliens. I don’t watch the show now obviously but I think it was genuinely great and it has fantastic potential for a movie. There were two TV movies but I don’t remember much from them and a Hollywood movie would bring the show to life. I know I’ll be there opening weekend.

  • A Dungeons & Dragons film

dungeons and dragons

This is excrutiatingly easy to do. D&D is one of the reasons nerds exist, so a film based on it should happen, and apparently is happening. The genius of D&D is that there are no characters or storylines, so whoever writes the film can create an original plot while using the D&D world as a template. Fantasy is very popular thanks to Lord of the Rings saving the genre (not to mention the awesome Merlin TV show), but the D&D film needs to be different enough to distinguish itself. Incidentally, Lord of the Rings would be an awful D&D campaign. Too much walking and not enough dungeon crawling, and the Battle of Minas Tirith would take about a year’s worth of gaming sessions. A D&D movie would star a wide variety of species and different types of characters to reflect the 11 different classes, and the film could use D&D monsters such as the beholder and mind flayer and of course, dragons.

  • A Skulduggery Pleasant movie

skull dude

I’ve said it before and I’ll say it again- this awesome book series deserves a Harry Potter style movie franchise. Just as long as it’s done with respect to the book series then us fans will be happy. Today’s technology will make Skulduggery easy to present on screen, and to have a film franchise with an unconventional hero, strong female characters and not having a dark, depressing and gritty tone would be refreshing indeed. While I’m perfectly content with the books, having a film would be the perfect way to introduce this great series to a wider audience. But, if it is made, the characters must stay Irish. I say this as a British person who loves the fact that they actually let everyone in Harry Potter have British accents, rather than American accents (which they considered) so it seems right that the Irish Skulduggery Pleasant series has Irish actors.

  • A Brexit movie
united we stand

I can’t find anything suitable so I’ll put up a Civil War poster seeing how that’s basically what was happening to the Tory Party.

This needs to happen. Seriously. A comedy-drama about the EU referendum which will probably win a lot of awards will be fascinating to watch. Everything about this whole situation is film material, from the civil war (Cameron vs Johnson), to the logistics in how David Cameron handled the referendum, to the fact that everyone involved heavily in Brexit (Johnson, Gove and Farage) have all quit/been kicked out of important positions, leaving the state of events in this country in a bit of a pickle. I would love to see how a movie presents the events that have transpired in the past few months here. Have some big name British actors (Peter Capaldi as an angry SNP member would be hilarious) to play the politicians and go nuts. I predict in a few years this movie will be nominated for Best Picture/Director and possibly Best Actor for whoever plays David Cameron or Boris Johnson.

So those were five movies I want to see get made. Honestly, I’d be fine if none of them were made, as we live in a world where geek franchises and movies are being more and more popular and mainstream. Let’s hope the trend of great geek films doesn’t come to an end.