In the past, I have frantically pitched the idea of a Skulduggery Pleasant film series to Hollywood. The book series by Derek Landy is one of my favourite media properties of all time and since becoming a fan of the books I’ve always wanted to see a film on the big screen. Despite this, I’ve now come to the conclusion that a film would be more harmful to the franchise than good, and here are several reasons why-
Action scenes! Part of the parcel that comes with comic book films. Thanks to the rise of computers and new filming techniques we have seen some truly spectacular comic book battles, and to honour Avengers: Endgame let’s take a look at some of the finest brawls presented on the silver screen. To qualify for this list, two or more combatants must be physically battling each other and have somewhat equal strength. Excluded are chase scenes (with warm regards to The Dark Knight’s highway pursuit), one sided demolishing (Wonder Woman kind of thrashes the German Army with no effort in the iconic No Man’s Land scene, despite it being a magnificent sequence) and action scenes that have no actual battles between opponents (take Nightcrawler’s White House sequence or Quicksilver’s standout scene in Days of Future Past). With that aside, let’s look at how the comic book world’s finest slug it out-
10. Hellboy, Abe Sapien, Liz Sherman and Johann Kraus vs Nuada and the Golden Army- Hellboy II: The Golden Army
Whilst there’s no series of Doctor Who this year, Chris Chibnall and his team are busy working on a fantastic somophore season for Jodie Whittaker and the Thirteenth Doctor for 2020. Whilst her first season wasn’t perfect (I’m looking at you Tsuranga Conundrum) it was a great series overall and the viewing figures have spoken- Doctor Who is a household name again and is dominating the pop culture discussion once again. It is a great time to be a Doctor Who fan, as for the first time in years the average person on the street might know what you’re talking about and the quality of stories have reflected the level of attention the series is now getting (not you Pting). Chibnall’s all-new writing team were great and actually better than the man himself- I wouldn’t mind any of them returning, which leads me to this post. Here are twelve writers I would love to see write for Series 12 and make the next season as good as possible-
Would I really say no to the writer of my favourite Doctor Who story returning? Toby Whithouse is a Who veteran, first contributing the amazing Series 2 story School Reunion which still holds up as the strongest story from that series. His main contributions were to the Eleventh Doctor era, where his vision of the Doctor as a dark, mythical figure cropped up first in the underrated Vampires of Venice and then the magnum opus of the entire show, The God Complex, which masterfully deconstructed then reconstructed who the Doctor is. A Town Called Mercy and the Fisher King two parter are both great too, and whilst Lie of the Land was incredibly… not good I can’t really blame that entirely on him due to the difficult behind the scenes circumstances surrounding that arc. In short, any season without Whithouse is poorer off without him and his idea of the Doctor is one that I support 100%. I would have preferably wanted him as showrunner but if that’s not the case, another story would do just fine. Whithouse is a master of genre storytelling and is one of the finest writers this show has had and Lie of the Land is such a poor way to end a fantastic collection of stories.
Television is a vast and varied format, and it’s often the episodes that break the norm of their shows that often end up being the most acclaimed. By stripping the show down to its base elements, some of the most beloved episodes in television history are “bottle episodes”. These episodes take place in a single location and only feature the core characters, or even less. These episodes are devised to save budgets and reduce the need for vast locations or guest stars, although sometimes it’s due to a desire to try something different. These five episodes from television shows I love prove that sometimes less is more, and have been responsible for some of the finest outings for their respective shows.
Do we really have to do this again Academy Awards? Every year you run into some kind of controversy you can’t escape from, and this year we have the Oscar host debacle. To cut it short, whilst I don’t know anything about Kevin Hart and don’t want to tackle the (really really messy) situation the Oscars have got themselves into, essentially we have no host for the Oscars. This role is usually a famous comedian who opens the show with a monologue and then introduces each segment whilst keeping morale up and prevent audience fatigue. This hasn’t worked though as the Oscars have been losing viewership each year. Could it be because no one has seen the films they nominate and nor do they care? Probably. But the host is still important, and more importantly they have to be funny. In fact, I’d rather have the one host present all the awards than have different presenters for each. Humour is subjective of course but a good comedic personality will have enough charisma to sustain a large audience. So with the announcement of the nominations happening today (so much effort to find out the LA times vs GMT) let’s take a look at who could actually tackle the job presenting and get me mildly interested this year (beyond Into the Spider-Verse’s Animated Film win hopefully in the bag and Black Panther’s possible nominations very little has me interested this year). Hypothetically speaking though, if I was in charge of running the Oscars (and I wasn’t doing the hosting job myself obviously) I would narrow it down to five choices I believe will do a good job-
In case you missed the heading, this review will contain HUGE spoilers for the Doctor Who New Year’s Day special, Resolution. If you haven’t seen the episode yet then watch it before coming back. Trust me- it’s more satisfying.
Another year done and dusted- and what a year it’s been for nerdom. A new Doctor arrived, Thanos killed half the universe (SPOILER ALERT for the three people who don’t know), the Skeleton Detective got political and del Toro won his Oscar. 2019 promises to be huge, so without further ado it’s time to reveal what I am looking forward this year in terms of films, television shows and books. We are returning to Hawkins, visiting our favourite drunk reality jumping cynical genius once again, travelling to a galaxy far far away and the most underrated comic book hero of all time is getting a new coat of red. 2019 is going to be huge.
For over seventy years Aquaman has been DC’s resident joke character. Thanks to some silly interpretations and the cheesy nature of the early comics the character, despite being one of the founding members of the Justice League and a constant in pretty much every lineup, has been seen in pop culture as “the fish dude”. This is in spite of his rich mythology and rebrand as a fighter and a warrior in the New 52. One of my primary concerns about the DCEU tackling Aquaman was built on the awkward attempts to make everything ultra serious yet still trying to make Aquaman a joke- in Justice League he made no impact as he simply stood around making jokes about how he talks to fish whilst the film tried desperately hard to make the audience take this inherently silly character seriously. It just didn’t mesh well. Jason Momoa was a good choice for the character but unless Aquaman’s world was treated with respect he simply wouldn’t translate well to the big screen. Well, the fears have been washed away (ooh, water puns, how original) by James Wan’s brilliant film that embraces the comic book campiness and adventurous tone of films such as Raiders of the Lost Ark whilst balancing it out with actual respect for the mythology and world building, creating a film that’s both immensely fun yet also being quite serious. See DC, this is what you should have been doing from the start!
Do you know why I love Doctor Who? The ideas. Over 55 years this show has always striven to be the most imaginative, daring and bold television show on the planet. Stories that focus entirely on ideas are among my favourites- Tom Baker’s Warrior’s Gate is a wonderful piece of science fiction, Kinda and Enlightenment are my two favourite Peter Davison stories, The God Complex dissects the Doctor’s character by forcing him to battle the very idea of narrative and Ghost Light, the infamously complex and divisive story from the original run’s final season, is one of my all time favourite stories in anything ever. Whilst Series 11 has so far been strong on character and stories, in terms of pure ideas it’s been a bit behind. Until tonight. It Takes You Away (I assume the title refers to how the episode blows your mind) is not only the best episode of the series by a long shot (and remember, I consider both Rosa and Demons of the Punjab to be masterpieces and like everything else barring Tsuranga Conundrum) but one of the most original, bonkers, crazy, delightful, imaginative, complex and heartfelt stories the show has done in a looooong time, perhaps ever. Ed Hime, take a bow.